The biggest misconception people have about me is that when they see how young I am, they think, 'Oh, this guy must have always wanted to be in politics; his parents must have been politically connected.' I'm a finance major and always intended to go into business.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
When I walk down the boardwalk, people stop me and say, 'Oh, your house is the one that glows.'
Actually, I started to become an actress because I met someone who was just a friend and I found his life wonderful, I thought, Oh my god, you can travel, you're free, you can do what you want, you're the boss. And then I met an actor and I was in love with him.
I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
Time can be dissected easily: an hour can be cut up in many ways. Fifteen minutes on this memo, a five-minute walk to another meeting, 30 minutes at that meeting and then 10 minutes debriefing. Oh, and maybe a quick phone call on the walk to that meeting. The busy are expert at dissection: that's how they make it all fit.
I'm used to being a supporting player in the background. All I ever wanted, at the very most, was to have a small part in something where people were like, 'Oh, right, that one guy, whoever he is, was pretty good in that.' That's all I ever really strived for or expected.
What irritates me is the bland way people go around saying, 'Oh, our attitude has changed. We don't dislike these people any more.' But by the strangest coincidence, they haven't taken away the injustice; the laws are still on the books.
Oh my goodness, they are rocking so many variations of my high-top fade. I mean, Rihanna has taken it to a very angular 21st Century thing. Miss Fantasia has it in a very seductive, you know, up-flip, and it's just lovely, right? Oh, I think it's wonderful.
It doesn't matter if you have one billion rupees in your bank account or one rupee. This is one life you get, and you'd rather spend it enjoying whatever you have, rather than thinking, 'Oh, I should have scored seven more runs, or I should get more money.'
Oh gosh, I noticed dramatic changes in my body after I started doing yoga, but I also think you have to shake things up.
I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
I always have been a busy person, doing my own housework, helping the Man of the Place when help could not be obtained; but I love to work. And it is a pleasure to write. And, oh, I do just love to play!
Sometimes those fears creep into the back of your head, but then you slap yourself and think, 'Oh, woe is me! People actually like me.' What a silly thing to worry about. This is a huge opportunity, and I'm excited.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
There's the 7-year-old me that pretended to be Wonder Woman running around the schoolyard. Like, what an incredible thing to imagine that when the bully shows up or the villain, you would be strong enough to do something about it. But, also, you look like Lynda Carter while you're doing it - like, 'Oh, my God.'
I am so, so lucky. I am the luckiest girl in the world, really. And still with access to everything I could possibly want I still say 'Oh dear, what am I going to wear today?' There's no ending to that question!
Oh, God, I would love to go and do a play someplace.
I literally went down to my car and thought, 'Oh my God, SAP bought Concur - maybe tomorrow they'll buy Dairy Queen.' It was the best thing that happened to me on the day I was named CEO of Oracle.
The message I want to put forward for women is that I never want it to be about, 'Oh, it's a bit difficult to put that together,' or, 'She can dress that way, but I can't.' Actually, my designs are for all women, and I truly believe that you can make yourself feel wonderful in whatever you wear. That's the importance behind what I design.
I never understood when people go, 'Oh my gosh, it's so easy being pregnant.' No, it's hard. It's the most beautiful thing, yes, but it's hard.
Usually, impersonations come out of something you dig, because you're listening to it over and over. And you kind of start developing... You're really trying to emulate them, then you realize, 'I sound ridiculous doing this. Oh, hey, maybe this is a funny impersonation.'
When you first go out there, and you're speaking to people who don't really have any idea about the romance industry at all... they're like, 'Romance? Oh wow, okay, I didn't know people even paid attention to romance.'
In England, anybody who was alive remembers an interview between the press and Charles and Diana, right after they became engaged. One of the press asked Charles if he loved her. And he said, 'Oh, well, whatever love means.' Boy, it was a terrible answer.
Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.
There are roles I have said no to, but for different reasons. And, I never talk about those because I feel it's disrespectful to say, 'Oh, I said no to this project or that other project.' I'd rather talk about the ones that I said yes to and the reasons why.
Oh, if I had been loved at the age of seventeen, what an idiot I would be today. Happiness is like smallpox: if you catch it too soon, it can completely ruin your constitution.
I try to pull my inspirations from everyday life. If I came across a situation that is like, 'Oh, that's going to be scary, that's going to be frightening,' that's when I get inspired, and I put that into my films.
You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going.
Laura Bush has the face of my mother when my mother was young. The face, the body, the voice. The first time I saw on TV Laura Bush, I got frozen because it was as if my mother was not dead. 'Oh, Mama,' I said, 'Mama.'
I remember hating New Kids on the Block from the sidelines because all of the girls loved them. They would just fawn over them. 'Oh my gosh, Joey I love you!' When I was younger, I really couldn't stand them.
Oh my God, I don't think you can say anyone looks forward to controversy.
For years, I'd go to the movies and see guys doing Boston accents and think, 'Oh please, God, I hope I never have to do that.'
That's the fun part about being a director. You get to say, 'Oh, now that I'm in charge, I can try and cast whoever I want.' They can always say no, but that's okay.
Oh my God, I used to get heartburn and all sorts of indigestion and stuff because I didn't feel well. And you know, I sit a lot because I write, and I gained a whole bunch of weight. My vanity just got to me, and I was like, 'I've got to do something!'
