I would say there's always a movement of music and fashion in youth culture - every decade inspires the new one.
I would like to be a terrorist for music education - to make a complete reform, all over the world.
There's a lot of music at my fingertips that I can be influenced by. And just because I play a horn, I don't need to sound, or try to capture, what was happening before me. I can just respect it and learn from it.
We've always known that music is good for improving your mood.
In chess, computers show that what we call 'strategy' is reducible to tactics, ultimately. It only looks creative to us. They are still just glorified cash registers. This should make us feel uncomfortable, whether or not we think computers will ever be good composers of music or artistic painters.
I love music.
Being the drummer of Fall Out Boy, and any other project I've ever done, is most importantly about playing for the music. Staying out of the way when it's needed and playing more when it makes sense.
I've always had an eclectic taste in music. But what I try to do is combine these things in ways that others would never think of, like putting Bun B on an Elton John song.
I felt frustrated by the limitations of rock and the lifestyle of touring around on a bus and playing the same songs over and over. So I went back to school to study music, and one of the things I got into was the Italian opera composer Puccini.
It's quite hard to have your mom as a teacher - it's like, she's not necessarily a 'real teacher' for me. But she'd always teach me to really hear the music, and develop my ear, and to try and hear the harmonics of the piano.
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
I feel 'Britannia High' is aimed at an older audience than 'High School Musical.' 'Britannia High' is more of a serious drama, with the music and dance on top.
I love classical music and often listen to symphonies or opera in the morning.
The way you pronounce words the Puerto Rico way, it's not really global for music. Colombians speak some of the best Spanish in the world. So having a Colombian next to me every time I write makes my music more international.
My iPod's unbelievable. Seriously. The kids have put most of the music on it, but there's a complete mix of '80s rubbish and current day stuff.
System of a Down is the music that I wanted to buy but couldn't find at the store. It's the band I wanted to be a fan of.
Ornette Coleman is a real musician. He takes all of the things he's thinking about in the world - which is a whole universe upon universe - and translates this into music.
I like trying to make sounds that are interesting and are a bit weird. I try to make music that captures people's imaginations.
There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into poetry.
Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Country music is about new love and it's about old love.
Music is my 90% of my life and my biggest passion. I really don't have an interest in anything else.
I think when you're a fan of music - at least the way I've been a fan to artists that have really touched me - you're with them for the long haul. They might do things that you don't understand or agree with, but I think I've always tried to hold my judgment and give them the space to do what they need to do.
In pop music, people take a stand. When you look at a Beyonce or a Kendrick Lamar, they are going to tell you what they think. And audiences totally get it. They totally love it, and they are totally hungry for it. But in our conservatory training, I think it's a little lacking.
Jazz music, as is also the case with the old down-home spirituals, gospel and jubilee songs, jumps, shouts and moans, is essentially an American vernacular or idiomatic modification of musical conventions imported from Europe, beginning back during the time of the early settlers of the original colonies.
Music is my only guide. I don't care if people pigeonhole me. Miles Davis is my hero. He covered Cindy Lauper and Michael Jackson, and he didn't give a hoot about what the purists said.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
There's so much music going on in New Orleans.
I'm such a huge fan, and I've done classes of all Lady Gaga music. And she's just someone who evokes freedom and love for her fans and passion in what she does. Lady Gaga, I'll take you out for a salad anytime.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
No one should be allowed to make music as if he were made of wood. One must reproduce the musical text exactly, but not play like a stone.
Anyone who watches a lot of television, or listens to pop music, is familiar with a certain vision of America. If not exactly colorblind, this America is one in which different races easily interact, in which a white person might have an Asian boss, Hispanic stepson, or African-American frenemy.
I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
When we perform music at TV shows, we always try to do something that's not scripted because anything that's a surprise for the audience and the crew and the other performers, it works better on camera and for the people back home, too.
I like writing a body of music that has a cohesive, emotional thread through it.
