Zitat des Tages von Matisyahu:
As a kid, I was really into performing. I would do choruses, I would do musicals, whatever it was. And then, as a teenager, I got into an acting class at SUNY Purchase for gifted kids, and that really turned me on to material beyond musicals, Sam Shepard, and Christopher Durang plays.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
When I listen to music, there's usually some aspect of that music that I like, and that's what I take and try to bring into my own music. Bringing in other musicians to collaborate with is a good way for me to test out new ways or make music that I might have not discovered on my own.
I started out in the Chabad movement, and I started pretty closed up, with the idea of there being that 'this is it.' I bought into that fully. I really explored in depth the Chabad ideology.
The place that I'm trying to come from and where I'm trying to make music from is when I feel like I'm able to somehow, like, transcend it all and just speak right to God.
Most of my life wasn't about knowledge from books, but experiential knowledge.
I grew up pretty secular. I went to public school, and all the Jews that I knew, none of them were religious. While probably half of my friends were Jewish, they were all secular Jews. We went to Hebrew school, we knew we were Jewish, but it wasn't a major part of our existence.
I would say that as I've gotten older, I trust my intuition more; I allow myself more freedom both musically, creatively and my own life existentially.
When I started wearing a yarmulke, I wanted to stand out or take the form of whatever was inspiring me. But now I think there's something to not working it, to keeping it on the inside, and it just being kind of like a secret.
I feel there's a lot of anti-Israel sentiment in the world and a lot of ignorance about what Israel is and does. But it's not for me to speak on Israel's behalf.
I always had a love of music, from the time I was a little kid, dressing up and singing along with Michael Jackson songs.
When I first started, everything happened at once. I became religious, my musical career took off, I got married, I had kids, and all that happened within the course of a year. I had an excitement about this newly found faith, and so I was writing about that in a very evident kind of way.
We're so quick to go to make things black and white, and to put things in their box. But everything is this mixture - and that's what this world is - is this blend of different things.
In 2004, when I started recording my first CD, I was coming right out of yeshiva. So I had spent two years completely immersed in the Hasidic culture, disconnected completely from the secular world - movies, music, people.
I was into acting as a kid. There was a time when I was 18 that I played the boy in a production of 'Equus' in Oregon, and I thought that was going to be my life.
When I first started reading about the kabbalists, I would hear about them being seen in strange places. It would turn out that they were doing some kind of spiritual work to elevate the sparks. In my life and career, I've had the opportunity to find myself where I could make some spiritual moves, to do some work that is spiritually important.
My music is not really about one ideology. It's not about one truth.
I remember the moment when it hit me. I was walking down Amsterdam Avenue on the Upper West Side, and it felt like I was literally walking out of a jail cell that I had been in. At that moment, I realized I could shave if I wanted. It was up to me and no one else.
I think there is a tendency for people to get rigid and caught up in their beliefs of what is right and wrong, and they lose sight of humanity. Being human has to come first before right or wrong.
When I'm meditating on an idea, I try to let the idea completely saturate me to the point where I feel like I'm covering myself in it or totally immersing myself in it, so that everywhere I'm looking, everywhere I'm going, it's through the lens of that idea. And that's sort of what I do with the music - I try to lose myself in it.
There's something really powerful when I, for example, hear Bob Marley's 'Exodus' - we know where we're going. We know where we're from.
I do what I love, thank God. I get to make music and get inspiration through Judaism. I can see why people might be surprised, because it's not been done before. It's certainly not typical. People are always trying to wrap head their around it. But it's probably simpler than everyone thinks.
There was a time when I was fighting with the decision as to whether or not a Hasidic man could go out and have a music career in the world and be involved in pop culture. For me, I was able to bring those two things together for quite some time.
I think when you're a fan of music - at least the way I've been a fan to artists that have really touched me - you're with them for the long haul. They might do things that you don't understand or agree with, but I think I've always tried to hold my judgment and give them the space to do what they need to do.
I always knew I was different and that people had opinions about me. I guess I learned as best as I can to shield out a lot and live my life from within.
The kind of music I'm trying to make is conscious, to make people think and feel and get inspired.
It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.
I don't partake, really, of any of the typical rock-star-lifestyle things you could think of. I try to be responsible when I'm out on the road. I take it pretty seriously, what I'm doing, as something that's good for the world, and my family, and everyone.
I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.
There are so many rules in Judaism, and if you get into them and you get obsessed and you have the kind of life that I have, it can make you a very unhappy person. It can make everything complicated and more stressful than it needs to be, so I kind of loosened the knots a little bit.
I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.
When people feel a certain religion claims to have all the answers, that's what turns them off.
I still believe there is a lot of truth in Orthodox Judaism, but not the whole truth. Each person has his truth that he has to discover. You don't necessarily have to mold yourself to another idea of who you are.
I'm not an expert in instruments, beat programming, or electronics. For some people it's all about doing it themselves. But for me, it's all about find the people that can help make my vision come true.
When I'm onstage, I'm not thinking about ideas. I'm not in my head at all. It's a more physical experience.
