I love art and fashion.
Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.
Poetry is the art which is technically within the grasp of everyone: a piece of paper and a pencil and one is ready.
I love the idea of modern art in a home that isn't totally modern. There's a certain energy that comes out of that juxtaposition.
Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.
The 'Fortune' I came to work for on Jan. 25, 1954, was a monthly, with pages significantly larger than what you're reading; 'art' covers that did not relate to stories inside; and a newsstand price of $1.25.
Does art have to have high foot traffic to get funded in a recession? A lot of people, I am sure, would say absolutely not. And those postmodern art-loving loners surely would argue that even if one person likes a piece of art, that would make a museum worthwhile.
I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
Tell me thy company, and I'll tell thee what thou art.
I don't like most contemporary art. But I think if you talked to any person who's heavily involved in contemporary art, they'd say the same thing. If you go to a biennale, you don't expect to like much of it.
If you're not trying to be real, you don't have to get it right. That's art.
We don't know what the next generation of art is going to look like. We're kind of making it up as we go along. Not unlike the tech industry.
There is a small world of people who are very interested in contemporary art and a slightly bigger world of people who look at contemporary art. But then there is a much larger world that doesn't realise how influential art is on things that they actually look at.
We can learn the art of fierce compassion - redefining strength, deconstructing isolation and renewing a sense of community, practicing letting go of rigid us-vs.-them thinking - while cultivating power and clarity in response to difficult situations.
I want to serve chess through games, books that are works of art. I would like to bring the game closer to many people all over the world.
Objectifying is kind of a funny thing. Art is objectification, all art, because you're taking someone and making them into an object. But people can also talk back more to you when you're sketching them. They can look at you and say, 'Oh man, you got me wrong.'
People go into a gallery, and they're afraid to express their opinions about art. No one's afraid to say, 'Keanu Reeves was bad in that movie.' We see so many films that we can tell who's faking it. But with art, we can't always tell.
But... watching Steven Barnes taught me to treat my life like an art form.
Many science fiction writers are literary autodidacts who focus on the genre primarily as a literature of ideas rather than as a pure art form or a tool for the introspective examination of the human condition. I'm not entirely at ease with that self-description.
My position is that serious and good art has always existed to help, to serve, humanity. Not to indict. I don't see how art can be called art if its purpose is to frustrate humanity.
If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.
I've been fascinated by the world ever since I read 'Kitchen Confidential' by Anthony Bourdain. I've watched 'Top Chef' and watched interviews with chefs on 'Charlie Rose'... I thought they're really intriguing characters, and they really encapsulate that tension between vision and commerce, art and commerce.
I go to make art as who I am as a person. The fact that I am a woman comes into play maybe in the kinds of things I'm interested in or in the way I structure a canvas.
You perhaps know me as a novelist. Literature is one of the arts - in fact, the noblest of the arts. That is not my opinion; it was first expressed by the ancients. As art, literature has many similarities with the other art forms.
I admire Ai Weiwei for his art and his activism. His art is beautiful in form, and in function embodies the principles of populism and social consciousness I aspire to in my own practice.
I think there is a real art to walkabouts.
Theater is such a collaborative art. Hollywood is a competitive sport.
Art is all in the details.
It'll be the Internet and piracy that will kill film. There's a philosophy that the Internet should be free, but the reality is that piracy will destroy the film industry and film as an art form because it's expensive to make a movie. Maybe you'll have funky little independent movies, and it'll go back and then start up again some other way.
The word 'star' is misused. A good film will never fail. And if you have become an actor to become a star, then your reason of being in this profession is wrong. It amounts to abusing the art.
Whatever one considers art to be, there is in many people a hunger to express themselves creatively and to feel authentic in doing that.
I'm most embarrassed at my art shows, even though I don't show it.
I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Music is art to me, and you don't censor art. You don't go into a museum and censor things.
You cannot convince a Buddhist to become a Protestant any more than you can convince a person who embraces realism as the highest form of art that fantasy is an equally important manifestation. It's impossible.