In 1970, Dean Robert Ebert offered me the Chair of Pathology at Harvard Medical School. I moved to Harvard because I missed the university environment and, more particularly, the stimulating interaction with the eager, enthusiastic, and unprejudiced young minds of the students and fellows.
When I was young, I lived like an old woman, and when I got old, I had to live like a young person.
What I tell these young people is, the world is not as dangerous as the older generation would like you to believe. Anyone I know who has ever taken a risk and lost a job has ended up getting a better one two years later.
My parents, Romanian immigrants, struggled to provide me a better life than the ones they had left in their homeland. They worked hard to give me every opportunity in life, and once I showed natural talent as a young gymnast, they spent every last penny on my training.
It's always important to invest in young talents and the talents of tomorrow.
I certainly was performing before my writing was published, because I was performing when I was very young. And the thing is I'm very comfortable on stage, so a large portion of my act did come from ad-libs.
I don't feel my age. I feel young every day.
I have my opinions about the way my father was. But they are my opinions, not necessarily the truth, and they are certainly not the whole spectrum of what this man was going through. It's my young, selfish interpretation of that person.
I don't remember Bill Walsh being old. I remember young Bill Walsh. He wasn't gray-haired, and neither was I when we first met. His legacy will live on. Bill Walsh's name and his accomplishments will be remembered and revered so long as the great game of football is played.
The proud decades of victorious advance of the Juche-oriented youth movement are associated with the invaluable blood and sweat and heroic exploits of the young people who fought self-sacrificingly for the Party, the leader, the country, and the people.
Finding where to put the camera is probably the most important thing you have to learn when you're a young director, and it's something that's a mixture of instinct and technique.
They go on about banning size zero, but I think Hollywood stars are the worst perpetrators. Most models are naturally long and gangly, while a lot of these young girls in Hollywood have gone on extreme diets. Their concave chests and bony arms are terrifying. It's scary to think that normal teenagers are tempted to copy them.
We get caught up in all the stress - 'Got to do this, is this the right thing for me to do?' - but what about the thing you want to do? That's what'll keep you young. It's empowering, not becoming a prisoner of some other person's idea of what you should be.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
Had my dad not been short and fat and balding, there's no doubt his career would have been very different. But he could do lots of stuff and made a very good career out of it. He had an incredible work ethic because he lost his father when he was very young, and the family had to pull together.
Building capacities for the young generation is going to make a better generation and a better future tomorrow for Africa.
When I was young I had so many inferiority complexes. I had an inferiority complex because I didn't go to university. I had an inferiority complex because I didn't train. Then it gets tiring. And you do get bored of it.
I still feel I am that 14-year-old kid, hungry and trying to find a way through life. That's what I'm trying to develop, trying to be good at something through boxing. But I feel like that young kid who's trying and trying.
I like to write stories where young people have a strong feeling about something being fair or unfair, right or wrong, cruel or kind, and they act on the basis of that - often in the face of the prevailing limits of behaviour.
I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.
I love princesses. And I think Cinderella is very strong. She's a young woman thinking outside of her environment, outside of her current situation, and she is choosing to believe that all is possible for her. And I think that is so admirable.
If anything, we older people yearn for a peaceful world even more than young people do. We are the ones who lost friends or relatives in some war. We are the ones who have lived a lifetime of seeing and reading about human suffering.
I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.
The young people I work with every day and serve the nation in the armed forces in general, and the Marine Corps in particular, have broken the mold and stepped out as men and women of character who are making their own way in life while protecting ours.
I have a memory of this experience when I was young, watching 'Stop Making Sense,' the Talking Heads concert movie, which is one of the best concert movies ever, and I saw it in a full house in New Zealand, and everyone was cheering between songs, and you really felt like you were part of the audience at the gig.
We are seeing a new wave of young biologists that are attacking old problems with new tools and fresh ideas, leading to new types of bio startups and creating a much-needed engine to drive Silicon Valley into the next century.
I began working quite young, writing, growing, maturing, always striving to top myself - to make people laugh hard at things they know and believe deep in their hearts to be true.
Start with the young, work with them until they are adults, and they will demand real food.
Coco Chanel once said that what makes a woman look old is trying desperately to look young. Why should one be ashamed to be 84? Why do you have to say that you're 52? Nobody's going to believe you anyway, so why be such a fool? It's nice that you got to be so old. It's a blessing.
Media images are so important to young people feeling positive about themselves.
John Kerry had a very vivid imagination as a young person. I mean, he actually did go and take his bicycle from Norway to go camp in Sherwood Forest to be around the ghost of Robin Hood.
Young people all over the world are very frustrated. They are very disillusioned. Many of them are turning their backs on religion. They are walking away from the faith of their parents, and most of this is because religion has failed them.
People don't understand being a child star is very hard because first off, to be a child star, you have to be very unique. These kids are talented to be able to do it at such a young age. At the same time, you go through the pressures of bullying and a lot of people not understanding.
The acting training in school was great, but it was mostly fun being young and in New York. Because my upbringing was so transient, New York ended up being my home. I've been living in New York longer than I have anywhere else in my life.
I've got some advice for the young: If you've got anything you really want to do, don't wait until you're 93.
Watching a Kirk Douglas movie, 'Young Man With A Horn,' made me want to be a trumpet player.
