Zitat des Tages über Journalist:
My father was a motorsports journalist and a motorbike fan. He gave me my motocross bike.
I'm an artist and a journalist. I travel around the world very often for 'Vice Magazine,' and I draw and I write about prisons, about conflict zones.
And I'm hoping that fair-minded people will stand up and say that what's been done to me is wrong, and that-that people's personal lives have no impact on their ability to be a journalist, you know. Why should my past prevent me from having a future?
I had rather be called a journalist than an artist.
And I came away from that experience, and it was a very difficult experience - I came to understand that you have to practice at being a good father and practice at being a good husband, just as you have to practice at being a good journalist.
A journalist and an information architect face exactly the same problem - how to give shape to the pile of information in front of you in a way that will make it easy and natural for people to comprehend. I can't imagine any better preparation for the work I do now.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
As a journalist, the details always tell the story.
That was par for the course but I also found that commissions were being canceled and in fact I considered this directly libelous - I write biographies for a living as well as being a journalist - for a non fiction book to be called fiction from beginning to end.
I am a journalist.
I feel like, in some ways, I'm just a journalist.
I've always thought that travelling every day as a journalist on the Tour's got to be harder than actually racing.
My wife - an ex journalist and current TV producer - has a rule that she taught me at the start of B3ta. Does the item make you laugh, or does it make you go, 'Oh my God?' If you score on either count, then you have something that is worth sharing.
I prefer the word 'journeyman' to 'journalist' because I think that certainly, when you hear a story, you want to hear certain facts. But I also think what makes a story interesting is the points of view expressed therein.
It's hard for me to think about this, but I first went to Southeast Asia as a Marine more than 40 years ago, as a young Marine. I was on Okinawa and then in Vietnam. I've returned in many different hats, which I think has helped me to form my own views about policy out there. I've spent a good bit of time in this region as a journalist.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
If a person is not talented enough to be a novelist, not smart enough to be a lawyer, and his hands are too shaky to perform operations, he becomes a journalist.
There is a type of snobbish, pompous journalist who thinks that the only news that has any validity is war, famine, pestilence or politics. I don't come from that school.
I didn't go into journalism thinking it would solidify my identity. I did it because I needed to make a living, and I was proficient in writing. But in becoming a journalist, I learned about other people who felt like they were on the edges of American mainstream life.
Once Iraq became a hot bed for kidnapping, reporters had to use every kind of trick they could manage to avoid it. This included chase cars, security men for more prosperous agencies and networks, and GPS signals on satellite phones that could pinpoint the journalist's locations.
Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.
If you're a good journalist, what you do is live a lot of things vicariously, and report them for other people who want to live vicariously.
What everybody forgets is that when I was a journalist in Britain and in the United States, I was always a Canadian. And the price of expatriation does not go down, it goes up. I never felt part of the political common sense of Britain. I never felt it in the United States. I had no natural home in Britain and the U.S.
I worked for a brief spell as a journalist, but soon I discovered that I didn't want to be a journalist - I wanted to be a historian.
I think any journalist who spends time in a place realizes that there are lots of stories around beyond their primary story. You meet so many interesting people and have all kinds of experiences.
I think the film is beautifully realised. His legacy as a journalist was recorded - as it were - well, and certainly the important issues of the '50s - or even today - are delivered and presented to the audience in a rather honest and objective way.
One of the perks of my job as a fashion journalist is the travel opportunity.
There's something very strange about associating me with that prize. I had hoped for it in a more directed way as a journalist. Somehow as a journalist you know there are Pulitzers out there and you can work hard and get one. To win it for Fiction seems unbelievable.
I was a bad journalist.
As I point out in the very first pages of 'Into the Wild,' I approached this book not as a normal, you know, unbiased journalist.
Burton Cummings joining the Guess Who in January 1966 changed my life forever. It's been a rocky affiliation, no doubt. One journalist once described our relationship as the longest running soap opera in Canadian history. That may be a bit oversimplified.
I wasn't always a novelist. I began my writing career as a journalist, working on an afternoon newspaper in Sydney, Australia, doing the crime beat and court reporting. Having grown up in a small country town, I felt as though I had nothing to write about.
I'm a working journalist. I'm interested in all points of view, and I draw conclusions based on facts, not just on opinions.
One of the things you learn as a journalist is that when there's no accountability, we humans are capable of tremendous avarice and venality. That's true of union bosses - and of corporate tycoons. Unions, even flawed ones, can provide checks and balances for flawed corporations.
I'm a huge music fan. I usually say that if I had been born with a musical inclination, it would've been great. The Beatles changed everything for me, and I wanted to be a journalist for 'Rolling Stone.' I'm a big music fan in a Cameron Crowe way, kind of in a spectator way.