If people choose to live their life in a way that does not confront the more troubling aspects of their experience, that's fine, if it works for them. But it will probably make them uncomfortable if they come up against somebody like me. So they just shouldn't! They shouldn't read my work!
I don't understand actors who complain when they get work. 'I'm working too much. I've got to get up too early ...' Isn't this the point? There's somebody right now who's bussing tables who would love your problems.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.
I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.
I do think that the strongest character is somebody that you can connect with to your personal self, or at least find the humanity in both of you and start from there.
They say somebody's 'street smart.' I feel like, if I got intelligence, it's just a country smart.
Everybody has a role or part to play; if somebody fits the bill, that is what matters.
I love the 'Delilah' show. I've been listening to it for years and years. It's incredible. She's always got a song for the right occasion. Many people call in, maybe their spirit it a little down, and she lifts them up. She is really somebody special. She's a lifeline to a lot of people.
I'm always trying to make something that is impossible to film. Why would somebody just read a novel when they can see it on TV or in the cinema? I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel, you can get right inside somebody's head.
I busted my tail for so long, I'm just glad it's getting recognized now as part of the WWE. Because let's face it, the WWE is the biggest company out there when it comes to wrestling. I'm just happy that I'm being recognized as somebody who works hard, I guess.
Once I start writing about somebody, I become very protective of them.
I've always been somebody who's acutely aware of my mortality.
I'm a registered independent. I don't really believe in political parties. Bottom line: Mitt Romney's tax policy helps me. But I can't stomach seeing somebody go hungry or somebody not being able to get an education because I want more. So, I'm supporting Barack Obama.
When I hear somebody like Hayes Carll write a song that's touching and poignant and sad and funny all at the same time, it motivates me to step my game up and try to figure out a way to get more different emotions into one line or one song.
A lot of the evangelicals supporting Donald Trump aren't expecting that he's going to start holding Bible studies in the Oval Office. They just want somebody who's going to solve problems.
We put too much on contemporary dancers. A lot of them cannot change styles; a lot of them can't do anything else other than run around the stage reaching and stretching in anguish to somebody off camera that I never understand who it is. But it's the teenage angst they have to live with.
Coos Bay is a sports-minded town. You had to be an athlete to be somebody.
I don't think I've ever not had a dark side. But one of the wonderful reasons why you go into this business is that half your life you live in a fantasy, which is somebody else's life. It's actually a great release because you're not having to deal with the itty-bitty bits of life.
I don't hate Trump, but he's not somebody I admire.
But films should be voyeuristic. What else is a film if you're not snooping into somebody else's lives?
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
Rap is supposed to be about keeping it real and not relinquishing your roots in the community. Without that, it's just posturing. Somebody who claims to speak for the 'hood don't need no private jet.
The moment we put up the PayPal button, some guy donated $300. That's when we realized that if you give somebody a chance to support something on the Internet, they'll do it.
Many times, when a director reads a script and wants somebody who says 'Far out', then they let me do what I want with it and that's usually more interesting for an actor.
I really believe what people have said before, that God is love. For me, it's music. For you, it might be writing, or for somebody else, it might be soccer or whatever.
I'm supposed to convince you, for two hours, that I'm somebody else. Now if you know everything about my life, if you think you've got me figured out and you think you know all my dark secrets, how am I ever going to convince you that I'm somebody else?
Am I overjoyed when somebody says, 'Oh, we're going to do another Jane Austen?' No - because there's never anything in it for me.
I have this old Polo jacket. I've got to bring it wherever I go. And I have this one cape that somebody gave to me. It's this jumpsuit with this cape on the back that this one person gave to me. It's clutch.
The only time I'm not Hulk Hogan is when I'm behind closed doors because as soon as I walk out the front door, and somebody says hello to me, I can't just say 'hello' like Terry. When they see me, they see the blond hair, the mustache, and the bald head, they instantly think Hulk Hogan.
I never have used a trainer. I'm slightly intimidated by the idea of somebody in my face.
When you cast somebody, you write to their strengths.
If you're wearing a Bluetooth thing and you've got that thing on your belt, you are working for somebody else. You are not the guy in charge. That's a really good social status indicator.
You just reach a point sometimes with somebody where it just doesn't work.
I'm writing for my ideal reader, for somebody who's willing to take the time, who's willing to get lost in a new world, who's willing to do their part. But then I have to do my part and give them a sound and a voice that they believe in enough to keep going.
I find if you are in an office, the crisis finds you. If you're not in the office, the crisis finds somebody else.
It's strange: I've done so many things up until I did 'Obvious Child,' including writing children's books and making 'Marcel the Shell.' To me, the through-line is incredibly clear: it all comes from wanting to be connected to my own inner voice and not wanting to be on somebody else's agenda if that means that I can't be myself.
