Somebody once asked me what my theory of life was, and I said, 'Don't try.' That fits the writing, too. I don't try; I just type.
I have a message for the youth of America. The next time somebody promises you a lifetime contract, say, 'Thank you. But would you mind putting that in writing?'
Brotherhood means laying down your life for somebody, really willing to sacrifice yourself for somebody else.
I'd rather somebody punch me in the face than drop my sax.
I turn to books for a feeling of companionship: for somebody knowing what I have known.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
The top players talk more now, and we have more meetings. We're just trying to get things better. But we still need somebody who could make a difference.
Chuck Swindoll is somebody who I've read a lot over the years and have used his curriculum when I've taught Sunday school classes.
As somebody who makes his living in the movie business and wants to contribute to it, I think that the best chance I have of doing that is just consistently working with great directors.
Often, in the movie business, they need somebody who will garner box office because they need to pay for the movie. So the people who are in movies that make a lot of money are the people who most often get cast in studio pictures. In my career, I've never been a box office name.
No, I'm not a horse better. Every once in a while somebody will give me a sure thing and of course it's not.
When someone is there for you, has your back, that's somebody to pay attention to because that's a friend.
Being outside the candy store looking in is the state of people today. Whether you're in a Pakistani village watching somebody in a car drive by, or you're in the city of Lahore going to a restaurant and seeing somebody with a security entourage coming in... you're exposed to people with more.
I'm an adventurer. There are so many things I'd like to do. I'd love to do an Angelina Jolie and dress in lycra and kick the crap out of somebody in a movie. It doesn't matter how rubbish the script is.
Most of the time, when you are in the studio, you are revealing yourself; you're a bit naked. You can express your weaknesses, your awkward way of approaching sound. Sharing these intimate moments is like inviting somebody into your private room.
If I don't like somebody's looks, I don't like them.
I've never really been somebody who likes to hit it straight. That's just never been my forte, I guess.
I was very depressed when I was 19... I would go back to my apartment every day and I would just sit there. It was quiet and it was lonely. It was still. It was just my piano and myself. I had a television and I would leave it on all the time just to feel like somebody was hanging out with me.
Every time somebody asks me, 'Oh, when you mix your own music, what are you going to make?' And I don't know.
Because somebody plays guitar, why does it mean they need a singer? Because people already have this image of things? No, I'll put my music together, then think about whether I need to embellish it with a singer.
After you've lived with somebody for 11 years, what's a guy in a robe reading from a book going to change?
The beautiful thing about this country is that I can be a Christian and feel free to do so. Or somebody cannot be a Christian and do whatever that entails. Or somebody can be a Christian and still be gay, and I support it.
I never breathe through the nose, not when I'm singing. In the opera, you don't have so much time. That's fine at the beginning of an opera or after somebody else has been doing an aria, and you want to get a good fresh start.
I don't like any one race or look or type of guy. My tastes as far as looks go are very diverse. I like guys with scruffy beards and leather jackets, but I also like a clean-cut 'GQ'-type guy, so my tastes are very ranged among somebody who laughs at my dumb jokes, too. I have plenty of them.
I love traditional music. But in any culture around the world, there is the historic and cultural music and everything that's been passed down and passed down, and hopefully you take that, and then you take it, you know, the next distance, and then somebody else takes it the next distance.
I think a lot of Americans forget that they are not originally from here, that somebody in their past was a refugee.
I think it's because in America you always get the sense that if you fail, you can just pack up your things and go somewhere else and try again. But in England, it's so geographically small that if somebody succeeds here, it reduces your chances of succeeding.
The key to high-quality communication is trust, and it's hard to trust somebody that you don't know.
Often, what makes my job so exciting is designing for the mother whose dream has been to wear one of my hats at her child's wedding. I feel as responsible for making her feel like a million dollars as I do for somebody in the public eye.
I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
At some point the rhetoric runs out, and we have to ask ourselves, 'Are we simply going to standby while somebody's rhetoric is good, but their actions are so lousy?' Are we going to stand up for that?
One of the categories of people I don't like much are intellectuals. People say, 'Oh, you're an intellectual,' and I say, 'No!' What is an intellectual? An intellectual is somebody who thinks ideas are more important than people.
Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
I think I probably think about myself as an actor, which is the way most people do. I think I'm good, I don't think I'm great. I think I would hire somebody else to play me in the movie about me.
Somebody made the point with regard to President Obama that, because he tried to do so much so fast, so extreme on health care, on energy, just run down the list, he went to... the fringe elements of his party to satisfy their demands.
Even though the Clintons started mass incarceration, which my brother is a victim of, things are going to change, though. Somebody made them do that.
