The 'Station to Station' film is made entirely out of one-minute films, and each of the 62 minutes is a completely different person, place or encounter.
In L.A., like, there's a lot of, like, materialism, and, you know, people who think they're better than each other because of the clothes they wear or how they dress, and in Oakland, it's not like that.
Are not the gays who seek the right to marry, to formalise their commitment to each other, holding up a mirror to heterosexuals who are marrying less frequently and divorcing more often?
Before we took down the tree each year, Dad would always say a prayer that we would be together the next Christmas. I cling to that prayer, which serves as a reminder that it's important to be grateful in the present for the people you love because, well, you never know.
It's funny: I've joked that 'Sharp Objects,' 'To the Bone,' and 'Dietland' are my self-harm trilogy, and each one is a different side of that triangle, with 'Dietland' really about fighting back.
I know of musicians who have played together for decades who hate each other. The Modern Jazz Quartet for one.
What I love about each album is the opportunity to expand on what we've done in the past - to push myself and the band creatively, vocally, and lyrically.
In many ways, each of us is the sum total of what our ancestors were. The virtues they had may be our virtues, their strengths our strengths, and, in a way, their challenges could be our challenges.
There is this peculiar blind spot in the culture of academic medicine around whether withholding trial results is research misconduct. People who work in any industry can reinforce each others' ideas about what is okay.
Any consideration of the story we call 'Cinderella' for simplicity's sake must acknowledge that 'Cinderella' has had a dizzying array of personae over hundreds of years, in several cultures. There is no one authoritative tale of 'Cinderella,' only a hall of mirrors with a different face in each reflection.
Life doesn't make any sense without interdependence. We need each other, and the sooner we learn that, the better for us all.
We're born alone. We do need each other. It's lonely to really effectively live your life, and anyone you can get help from or give help to; that's part of your obligation.
The problem we have in the WTA circuit is that the girls do not have a good relationship because we play against each other, and it's a sport.
There are two projects facing each other. There's Marine Le Pen's project of a fractured, closed France. On the other hand, you have my project which is a republican, patriotic project aiming at... reconciling France.
I wish to present myself in front of the camera, each time under the features of a different woman. I would like to live and apprehend the problems, the conflicts, the feelings and the impulses of women radically different from me.
I'm fascinated by the idea of disparate, difficult people learning to trust each other when they're thrust into hellish circumstances.
While we celebrate our diversity, what surprises me time and time again as I travel around the constituency is that we are far more united and have far more in common with each other than things that divide us.
Patriotism is love of country. But you can't love your country without loving your countrymen and countrywomen. We don't always have to agree, but we must empower each other, we must find the common ground, we must build bridges across our differences to pursue the common good.
'The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.
Each project, I suffer like I'm starting over again in life. There's a lot of healthy insecurity that fuels this stuff.
I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel.
We're all different. That's what makes us special. We have to love each other and get on with each other. It's not up to me to judge anybody.
I feel really fortunate that, in playing guitar and surfing, I've found two things that mean so much to me, and which really complement each other. There's definitely a spiritual thing to both of them; they totally connect you to a higher realm.
When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.
I'm never happier than when I'm part of an ensemble. The rhythm of working in a group and the dynamic of each individual relationship within that group coming together is such a special thing.
Back in 1993, I was studying in Delhi, and I had a girlfriend. I had never touched a girl before that in my entire life. One day, I decided to go out with her to a garden. We were sitting beside each other, and I just glanced around to see if anyone was looking at us, and I put my hand over hers. I thought love started in this way.
For me, it's always been about a mix of hip-hop, acoustic singer/songwriters, and piano rock. I pull all those together. Each song may lean more heavily on one than the other, but they all have all three pieces.
Sometimes for a lot of new artists, they don't have a vision, really, or know what they want to say; it's kind of drawn out for them. But me, because I'm such a transcendental thinker, it's always like a journey and an adventure with each project. It's like going through a different doorway each time.
I was obsessed with X-Men as a kid, and I would have to go and play every last one of them. My sister was obsessed with Barbies. So we would create these X-Men-Barbie combos and perform weird musicals where they interacted with each other.
I think ideas should be flying about and banging into each other. It is a kind of energy. If you occupy static positions, then things sort of ossify.
I start with theory rather than people. I don't like novels which have no theoretical or philosophical underpinning. I hate the contemporary novel where people just sit and talk to each other about their relationships.
At the end of the day, life is about being happy being who you are, and I feel like we are so blessed to have the support system and the best family to really just support each other no matter what we're going through.
I use pure acetone Nail Polish Remover from Nails Inc. to really strip the nail. It's actually important to dehydrate your nail a little bit to get rid of all of the oil before you put color on; then the color will really stick. Then, I use OPI Bond Aid. It's a liquid dehydrator that you paint onto each nail.
My own life is wonderful, but if I had to live the life of someone else, I'd gladly choose that of Julia Child or Dr. Seuss: two outrageously original people, each of whom fashioned an idiosyncratic wisdom, passion for life, and sense of humor into an art form that anyone and everyone could savor.
The great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them. But there are conductors that actually inhibit the players from playing with each other properly.
That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
