Zitat des Tages von Joshua Bell:
It's very hard to find a pianist that's willing to play the so-called accompanist role on part of the program and yet be capable of being a great solo pianist that you would want for the big sonatas.
Music teaches people to work together, which is maybe one of the most important skills.
In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.
I do basically what a conductor does with a baton, except I also play along with the orchestra. So I have to juggle the roles of playing the concertmaster; sometimes I drop the violin and wave my arms.
I'm having a blast being the music director at the Academy of St. Martin in the Fields. It certainly is challenging for me, but I love challenges.
I love celebrating music in different and unique ways.
Someone who directs a film, they have to see the overall picture, and they have to get the best performances out of the actors.
I use Facebook quite a lot to keep up with my friends, although I had to delete 'Words With Friends' from my phone because it was wasting too much of my time.
As far as doing TV, I do think there's a big audience out there that could enjoy classical music, but they don't know how to find it, and sometimes by doing different things... crossover things probably make up about 5% of what I do.
You only live once, so I try to say yes to everything.
I love the outdoor festival feeling.
The real architecture happens within the works themselves, and that was done by the composer. That's where the real skill is. In putting together a program, you're more a curator, but that's important as well. And then the interpreting of it is where our big job is.
In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.
You might think that after 40 years of practice you wouldn't need to practice anymore, but sadly it doesn't work that way. You still have to keep chugging away and perfecting.
When you play a violin piece, you are a storyteller, and you're telling a story.
I can't play on a full stomach, so I save my eating for after the concert.
Bach's music is really some of the greatest. I think, in some ways, Bach is the most profound composer of all.
Good conductors know when to let an orchestra lead itself. Ninety percent of what a conductor does comes in the rehearsal - the vision, the structure, the architecture.
Beethoven's fourth and seventh symphonies have a certain amount in common. Well, of course they're both written by Beethoven, but besides that, I would say their overall effect and idea is to provide the listener with an incredible sense of joy.
A conductor can do wild things which can feel forced, but if you're directing from within the orchestra, you can't do that, things have to feel natural.
The violin sings.
We live in the least ugly time in history.
Great music was written by the great geniuses, and you want to do it justice.
It's been very exciting for me to start directing and conducting, exploring the symphonic repertoire, which I've always loved.
I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
I don't want to portray myself as a daredevil. I'm not at all.
I hate YouTube sometimes because people put up things of mine that were never meant for consumption and also because of some of the comments people write about my videos.
I want to do everything. That's my problem. Life is short, and I hate the idea of turning down anything. You never know what interesting experience might happen.
We live in a very chaotic world that sometimes we - it just seems like a mess. One of the reasons why we listen to music, and to great classical music in particular, is that everything is in an order and in a place and has a beauty that you see in nature, that you see and that people look for when they look for God.
I'm happy if my music is being downloaded, whether it's legally or illegally.
I grew up in a musical family, but nobody was a professional musician.
I love pressure in a different sort of way; I enjoy the pressure of getting out and performing for the public. Being compared and judged doesn't seem quite right to me.
Obviously, I want it to be legally downloaded, and I myself have spent a fortune on iTunes because, for me, that's the easiest way to get music.
The great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them. But there are conductors that actually inhibit the players from playing with each other properly.
I kind of alternate between conducting and playing and kind of juggling those things, but I don't use a baton.
Hamburgers are my favorite thing to eat, period.