'Mistresses' is about the lives of four women, each going through different versions of infidelity. Their longtime friendship is what gets them through extremely challenging times.
Well I guess I like variety pretty much, but I do enjoy this work very much. Particularly with Buddy on the gig, we get a chance to knock each other out It'just wonderful.
A city is a crazy concrete jungle whose people at the end of each day somehow make a small step ahead against terrible odds.
You do become very close like a family but because you see each other for such an intense period of time on the set everyday. You really don't end up socializing that much.
A woman said to me, 'You're better than your successor.' She then said she's lived under 10 prime ministers, and each was worse than the last. That put me in my place.
We're all like little ants who scurry around with the materials that are at hand right now. Each generation finds new materials. Its just evolution, isn't it?
My father used to see God in human beings and in his work. Each person has his own way.
I always liked movies like 'American Graffiti' and 'Gregory's Girl.' 'Gregory's Girl' is particularly perfect because it really captures that summer holiday bubble of teenage utopia. Even though it's got a happy ending, there's a feeling that these characters may never see each other again.
A lot of times, people will have after-parties or try and host an event for comedians, and they misunderstand us. They think it should be wild and crazy, or loud music, and comedians are typically pretty mellow people that just want to talk to each other.
We all lie to each other, present some sort of front.
But each time I seemed to be climbing into a roller coaster and finding myself coming through the downhill run with that sort of dazed feeling that we all know.
That's always been my test for what makes a story: is this something journalists would gossip with each other about?
I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.
We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
I think it's safe to say that each of us has at least one issue we are passionate about and struggle with, issues that robs us of our peace, our joy and our ability to experience love.
Gail didn't want me commenting on the opinion pages. I was hired by the news department and, despite the rabid assertions of the Times' enemies and detractors, the two really have nothing to do with each other.
But we must create in each person a sense of responsibility in order that each one of us can have the right to enjoy all his rights.
Without great writing, you've got a bunch of actors bumping into each other.
Each day, each one of us chooses not to do many things that would be legal but offensive to those around us.
According to the Privacy Rights Center, up to 10 million Americans are victims of ID theft each year. They have a right to be notified when their most sensitive health data is stolen.
In ancient British times, the whole country belonged to tribes, and the tribes owned their several districts. At the head of each tribe was the chief.
As long as each song makes somebody feel something, I think that's the point of it all. I don't want it to just be background music, you know?
Prison continues, on those who are entrusted to it, a work begun elsewhere, which the whole of society pursues on each individual through innumerable mechanisms of discipline.
With Alien, because we always use a different director, each one kind of stands on its own. So I guess it's possible for them to make another one, but we have no plans.
What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.
Perhaps we'll realize that each of us has not one vote but ten thousand or a million.
I'm more interested in interpersonal relationships - between lovers families, siblings. That's why I write about how we treat each other.
Orlando's a really cool guy. They hired him for 'Lord of the Rings' out of drama school. He's very new at this still and doesn't have a lot of experience. So we were in this together and we've tried to help each other out. We felt very equal which was good.
So gradually, and then I had an Italian roadster that I built, it took me five years to build it, it was stolen from me and stripped. I said, well maybe we should have another where we shouldn't steal from each other.
Others live on in a careless and lukewarm state - not appearing to fill Longfellow's measure: 'Into each life, some rain must fall.'
Before that film, I was nobody. Each job I got, I was so excited. Each paycheck I got, I thought, 'Wow, I'm getting paid to act.' But 'The Matrix' gave me so many opportunities. Everything I've done since then has been because of that experience. It gave me so much.
As soon as you start writing about how human beings interact with each other socially, you're into politics, aren't you?
What separates the winners from the losers is how a person reacts to each new twist of fate.
'Thor' has got several big battles in it, a reckless, headstrong young hero who has to confront his past and deal with a complicated relationship with his father, it has lots of savage Europeans hacking each other to death at various points, and all of this sounded very much like 'Henry V.'
I think, especially in our business we meet a lot of people, and sometimes you spend so much time being nice to strangers, and so, you know, keeping a clear head and just being nice to each other. And that's all the advice I can give.
Americans honor and respect each other's faith, and we honor those that choose to have no faith.
