Zitat des Tages über Improvisieren / Improvise:
I think it's very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you're in because, when you improvise, you're in right now. You're not in yesterday or tomorrow - you're right in the moment.
Without a band, I'm much more free to improvise.
Life is a lot like jazz... it's best when you improvise.
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
My roots are in classical music and jazz, and I want the freedom of being able to improvise. This freedom is possible only in a live concert.
I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.
It's not that bad things never happen. But there's a pattern in which most people are calm, resourceful, altruistic, and they improvise emergency systems that work really well - whether it's getting the babies out of a collapsed hospital or putting together a community kitchen to feed everybody for the next few months.
I never planned my career. I never planned to be president of Harvard. People would have thought I was crazy, probably, at the age of 8 or 10 or 20, if I had said that. So what I would say to people planning their careers is to be ready to improvise. Be ready to follow up on opportunities as they unfold.
A jazz musician can improvise based on his knowledge of music. He understands how things go together. For a chef, once you have that basis, that's when cuisine is truly exciting.
But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
That makes classical music work, the ability to improvise.
I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.
I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.
I think by now if people hire me, they know I'm going to improvise. I'm an improviser by trade.
For Kitty Gilbert in 'Topsy-Turvy,' I had to get to the point where I could improvise in the style of 1880, which is difficult. The research for that was huge.
I wrote my book 'The Amorous Busboy Of Decatur Avenue' completely like a writer does, writing it down, re-writing everything. But in my stand-up, I improvise initially, never questioning it too closely.
When you improvise, you work off the laughs from the audience, but when you step on stage to do standup, it's silent.
The great majority of people are calm, resourceful, altruistic or even beyond altruistic, as they risk themselves for others. We improvise the conditions of survival beautifully.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Most people learn to improvise on their own, listening to records, endless hours of noodling on their instrument in the bedroom with all their spare time. That's traditionally how people learn.
I could always improvise. Some of my teachers remember me standing in front of the class with a flower on my head, talking about photosynthesis. I'd stop and say, 'Is this working for any of you?' The kids were like, 'What is he doing?'
You gotta improvise in life. You gotta improv if the police pull you over.
When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.
There are times when the writers ask us to improvise. Sometimes the animators are inspired by what you do, and sometimes you are inspired by what the animators do.
It was actually quite easy to work with Uggie, because he's a really well trained dog. Very talented. I just had to follow him a little bit, improvise a little bit. Sometimes he'd follow me. Especially because of the sausages I had in my pocket.
You can't improvise without a skeletal structure; you can't just go in and start talking. This is a very misunderstood craft because no one else makes movies like this.
I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.
I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.
I consider myself a good layman's cook. Ninety percent of the time, I'm successful with what I set out to make, and I can improvise. Yes, I own a mandoline. Yes, we have a Vitamix.
I don't write any of my material down. I like to improvise and be spontaneous.
Learning how to improvise really awakened my interest in music.
I love to improvise when it's appropriate and encouraged by a producer.
I get hired because I improvise well.
Spielberg knows his craft so well, he can also improvise, and that is a lot of fun.
We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.