I would like for people to hear my music and hear/realize that people and experiences are deeper than what's at face value. Hopefully, with the span of my career, I can try to convey that in more ways than one.
A lot of the stuff that I say doesn't even make TV because it gets cut out. So if you're at the live events you get to hear what I have to say, but if you're watching on TV, you're only getting about 50% of it.
What's more condescending and corny than someone telling you how much more money they have than you and telling you basically, 'I don't care about poor people,' which is a large part of what you hear of corporate hip-hop on the radio.
I'm not aware of a cadence when writing, but I hear it after. I write in longhand, and that helps. You're closer to it, and you have to cross things out. You put a line through it, but it's still there. You might need it. When you erase a line on a computer, it's gone forever.
In Morocco, a Muslim country, I got to hear the call to prayer five times a day. At first it felt kind of scary, kind of dangerous, because of the propaganda towards anything Muslim in the U.S. subconsciously coming out in me. By the end of the trip, it was so beautiful, and then not hearing it when I got back to L.A. really threw me off.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
My brother is a policeman; my sister's an English teacher. When I hear what they make versus what I make, it's ridiculous.
Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people react to it, socially, culturally.
Just the fact that a thousand people in front of me were ready to hear me sing was one of the best feelings I can think of.
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones?'
I'm Brian a lot more than I'm Paul Walker, which is awesome. When I hear, 'Hey Paul Walker!' my hair stands up on the back of my neck. It's uncomfortable. But when I hear, 'It's Brian!' it's cool. I like Brian.
But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.
I don't ascribe to myself any special competence in economic insight. I translate what I hear from highly intelligent people into political and philosophical propositions.
When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
When I hear a great country song, I get chills and I want to cry. You feel something. And just sometimes that magic and the stars line up somehow or another, and it creates something that's really, really, really special.
It's funny, because music is one of those things it is natural to go into. You hear it so much growing up, it kind of permeates you and eventually you spew out some music of your own.
We have to find a way to let everyone know when they're watching that we hear them, that we're asking their questions on all ends of the spectrum.
Learn to be quiet enough to hear the genuine within yourself so that you can hear it in others.
I always think about making a CD you can hear in your car, your house party, with wonderful energy for all.
Nothing makes a man feel older than to hear a band coming up the street and not to have the impulse to rush downstairs and out on to the sidewalk.
You should take notes whenever you hear interesting or original language.
I think the whole world is dying to hear someone say, 'I love you.' I think that if I can leave the legacy of love and passion in the world, then I think I've done my job in a world that's getting colder and colder by the day.
People take everything out of proportion. Everybody loves to stir something. If you listen to everything you hear, there's a lot of different directions you'd be leaning.
When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to hear?' not 'What do people want to hear?'
Perceiving your own voice means perceiving your true self or nature. When you and the sound become one, you don't hear the sound; you are the sound.
I began by working in a study in an attic, but for many years, I've used a small room in a library. What matters to me isn't decor or comfort but only quiet. I need to hear the rhythms of phrases, the music of sentences. Any place that allows me to do that is good enough.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
Romance is sort of an island right next to care. When you care about someone and you listen to them and you hear them and you can feel them and you know just what's right, and generally it's something that will be very unimpressive to a room of strangers.
There is something about hearing your president affirm your humanity that you don't know what effect it has until you hear it.
I go to a club to relax and hear the music on a big sound system. I don't go to pull a guy.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
Our differences - in race, sexual preference, economic - have always been used as distractions to keep us divided. We get so wrapped up in our own stories that we can't hear each other.
To see the faces and hear the voices of victims of the Holocaust - one of the darkest chapters in history - was an experience I will never forget.
FIFA is a vuvuzela. It's in your ear, but you don't want to hear it, and then eventually it goes away.
