Some people said, 'Why didn't you sign Peyton Manning?' Well, we just couldn't do it. We would have had to let go of two or three of our outstanding players to create enough room in the salary cap to do something with him.
I really wanted to be a cartoonist, and I was in 4th or 5th grade and I would bring my drawings in, and I'd look around, and everyone could draw better than me. Everyone. My drawings were just awful. So that's why I had to write.
I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'
My parents came from Calcutta. They arrived in Cambridge, much like the parents in my novel. And I found myself sort of caught between the world of my parents and the world they had left behind and still clung to, and also the world that surrounded me at school and everywhere else, as soon as I set foot out the door.
Even when I was a child, I always wanted to be older. I realised just in time that it's a mistake and to enjoy my youth while I had it.
People talk about games and loneliness - it's a lonely activity. I didn't understand that. 'Gears of War' was the first multiplayer game for me that I enjoyed. But I wasn't sad. I liked being alone. I liked playing games by myself. I had lots of companionship at the house.
I was a very rotund child with short hair, and for some reason, I always had black ballet shoes. I was like the Wednesday Addams of ballet.
When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
I had two passions growing up - one was music, one was technology. I tried to play in a band for a while, but I was never talented enough to make it. And I started companies. One day came along and I decided to combine the two - and there was Spotify.
I'd just got back from filming my role as Flo in 'Kidnap & Ransom' when I got the news that Channel 4 had re-commissioned 'Fresh Meat,' so I think it was the first Christmas I could actually relax knowing that I had three months' work sorted. As an actor, that's always a good feeling.
I had great football players. To be quite truthful, my great football players, the ones who wanted the ball at the end of the games, they weren't focused on money. They want to do something great. They want to go to Pro Bowls. They want to win Super Bowls. Those are the people that succeed in sports - or in business.
I've always had stamina. It's a genetic thing. Don't forget, I'm from the era where we played outside, so there was no issue with weight because we were out running around the fields and playing hide and seek.
It's like I tell everybody, if you get a chance to win the Royal Rumble or the King of the Ring back when they had it, that means you're gonna get a push. You getting an opportunity at something big, and it can really set up your future for you. So if you're that guy, boy, it's pressure.
I remember when I drove into Notre Dame, getting ready for the first day of work. I had an electrical charge go up my back because I realized all of a sudden that I was responsible for the traditions that the Knute Rocknes and the Frank Leahys had set, and what Notre Dame stood for.
When I was working on the unauthorized biography 'Stan Musial: An American Life,' which came out in 2011, old opponents recalled how Musial knew their names after they had been in the majors only a few days.
I've had completely gray hair since, like, 30.
I like a character that goes on a journey. A character that has had it all, lost it all, and is trying to get back to just being OK. I love the agony of defeat just as much as I love the thrill of victory.
I admire Brad Pitt, honestly, just because of how he started and the obstacles he had to overcome to have the career that he's had.
I think when you think of death as being part of the life cycle and recognize that death is an inevitability for our species because the world has to be renewed with each death, then the hope becomes when it is renewed it will be renewed by people on whom I have had some influence for good.
One of the real worries I had before the first season of 'Treme' aired was that, man, people in New Orleans really hold movie and television shows up to a high standard in how they depict the city.
I've worked for some amazing leaders, and I've worked for the opposite, and that gave me the perspective of what I knew I never wanted to be, and the perspective of what had lasting, sustainable impact.
I grew up in this era where your parents' friends were all called aunt and uncle. And then I had an aunt and an aunt. We saw them on holidays and other times. We never talked about it, but I just understood that they were a couple.
I never had any plans to become a producer when I was a kid. I wanted to be a DJ, like most other kids at the time. Then my mum bought me a Casio keyboard and I started to sample sounds that I liked.
I had such a tie with my eyes and my hands. I could look at a telephone pole 40 yards away, take out a 7-iron, and hit it 10 times in a row. I had something special. And somehow, I really understood the game, all without having a lot of guidance.
When we started making 'Borgen,' no one had any idea it would have any appeal outside Denmark. No one expected it to follow the success of 'The Killing' because it's basically all about Danish politics.
When I got with Nina Greenberg, I had been running for a few months already without a trainer. But then she gave me a program and guided me through my runs, showing me how to take care of myself and letting me know I should ice my legs and stretch - stuff I hadn't been doing.
I've always had to force myself to make friends and speak to people. My parents were quiet, and it took me a while to get used to the fact that people talk about their feelings, their problems.
There are two kinds of people... There are the dreamers who go and buy, and there are the doers who go and make. And I've always recognized that. So the dreamers are what support our company because they will buy the product that they could make if they wanted to, had time to, or were so inclined to.
Of course we had the best possible classical education, which gave us a very strong foundation and tradition. But we also learned a lot by collaborating with different pop/rock artists and especially by recording and working in the studio.
I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film.
I had a good experience in college, but I don't think interdisciplinary education is something that's stressed very much at all. It's generally considered to be something of a bad idea.
I buy a lot of cookbooks. Some of them you just kind of read, and you try one recipe, and it doesn't really work. So then you don't go back to it. The new Ina Garten cookbook, which is called 'Back to Basics,' I have not had a failure with. It is the most fantastic cookbook. I think I bought 20 copies of it for friends.
Daddy - I remember when he first let me drive the cultivator for him, you know... He eased you into the hard work that you had to do later.
I moved to Hawaii when I was fourteen. And I was there for a year and then I was just sort of on and off after that, just because I had friends and family there.
I've always had horrible Valentine's Days.
Ever since I can remember I was telling stories and had a huge interest in other people and what made them tick.
