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I want to have a career in 10, 20 years, so it's harder now, and maybe more stressful now, but in the future, hopefully it will all pay off.
I started when I was really young. I was playing with my dad when I was 8 or 9, and I started playing shows then. I had a short stint in a DIY all-girl punk cover band.
School was just kind of something where it was like, 'Um, I guess I should get my bachelor's.' My mind is always geared towards the practical.
If anything, I'm the most hesitant to bring on a label. That terrifies me. I think people believe major labels are linked to success. They're absolutely not that.
I constantly compare myself to artists who have, like, 10 times the budget I do. My mind is the biggest challenge, honestly.
I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
When it comes to production and the overall sound, I don't really have a lot of intentions with it. I start off with melody and a lyrical idea, and then build off of that story.
Sometimes, you're going 24 hours a day, seven days a week for a few months, and then you come home, and you wonder what you're doing with your life and why. At least, that's the experience I've had.
I want to be an arena act. There's so many steps to take to get there, and it's so easy to get lost and cocky. I just take small steps each day.
When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
I'm not very good at vacationing or relaxing or planning any of that for myself. So I'm in the habit of piggy-backing off of gigs and deciding to stay an extra day.
I used to play shows in D.C. and then drive back to New York to work at 6 A.M. So there are those moments, and you just really need to power through them. Eventually, it builds on itself.