The radio was my big influence. Comedy came from the instinctual feel I had for language.
I've had some really big hits with 'Groundhog Day' and 'Michael,' 'Multiplicity,' 'Four Weddings and a Funeral.'
After I graduated from Brandeis, I took all the money I had in the world, which was $5,000, and I made a short film. I made every mistake you could possibly make. It was a total disaster as a piece of work, and yet, you know, it was ambitious in some way.
I grew up upper-class. Private school. My dad had a Jaguar. We're African-American, and we work together as a family, so people assume we're like the Jacksons. But I didn't have parents using me to get out of a bad situation.
Some of the best auditions I've ever had have been when my agent called and said, 'They want you 20 minutes ago, in an office in Century City, to see you for something.' I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.
Predating the Internet and predating videos, you had an active imagination. You would hear sounds and then get mental pictures of what these sounds felt like to you. It engaged you and made you more invested in it. It made you want to get tickets to the show, buy the album, put the poster on the wall. Now it's sensory overload.
I was living near the Twin Towers on 9/11, so I saw the attacks, and I had friends who were killed in the attacks.
My early life had a lot to do with my origins as a writer, but I didn't get into doing any writing at all until I was about 35 years old.
In my teen years, I was hanging out with adults - Steven Meisel, Francois Nars, Oribe, Paul Cavaco. We had so much fun! We'd go out in New York.
I had lots of trouble in school as a child, and I lost confidence. Teachers thought I was stupid. I learned to read very late, when I was 11. Dyslexia wasn't recognized then, and the assumption was you were incapable of thinking.
I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
One of my insecurities was my looks. I was short, cute and chubby, and Dad used to call me his 'little fat sausage.' But I always knew I had musical talent.
In about an 18-month period, my mother got sick and died, and then I had a freak illness less than a year later and almost died myself. And I found in both of those situations that there was this expectation to have a kind of transformative experience.
Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
I once got a letter from a woman who told me she was 90. She said if she were 30 years younger, I would have had to watch out. I guess 60 seems really young when you're 90. She said she would eat me with a spoon.
I've been so fortunate because I never really had ups and downs as far as my career. Ninety-nine percent of the time, I've been sold out all over the world.
Left-leaning bloggers have had a tremendous impact on the Democratic Party.
We live longer and healthier lives than ever before. Animal research has improved the treatment of infections, helped with immunisation, improved cancer treatment and had a big impact on managing heart disease, brain disorders, arthritis and transplantation.
I was way behind physically in high school. They had weight bars that were about forty-five pounds. I couldn't handle them. Couldn't even put the weights on. It was embarrassing. So I always figured out ways to avoid lifting when I was young.
My record company had to beg me to stop filmin' music videos in the projects. No matter what the song was about, I had 'em out there.
I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
I've had this terrible stomach problem for years, and that has made touring difficult. People would see me sitting in the corner by myself looking sick and gloomy. The reason is that I was trying to fight against the stomach pain, trying to hold my food down. People looked me and assumed I was some kind of addict.
I come from an era of music when it had heart and soul.
I guess, for me, I've always thought that there was humor everywhere. And as a kid, I just, you know, I grew up an only child, and I - sort of nothing made me happier than to make my parents laugh. I remember I had costumes and things laying around the house that I was, you know, anything that I could do to make my parents laugh.
A long time ago, we had to build interfaces to connect with other companies, and I thought that was a great idea. The company had to pay a lot of money to build it and basically launched it, but our whole operating system almost broke. So, we couldn't continue it. In the end, I had to go on the train to Paris to explain that I had spent millions.
After I did 'Lungi Dance' with Shah Rukh, I felt I had achieved everything there is to achieve. But then I am getting to work with Amitabh Bachchan now. And it's really the ultimate Bollywood experience for me. It really can't get any better for me.
I've had a lot of different responses to my films. I got a lot of support from 'The Piano,' the obvious one, but it feels like an ocean, with a lot going on - the goal is to keep alive.
The last hundred years have been retinal; even the cubists were. The surrealists tried to free themselves, and earlier so had the dadaists, but unfortunately, these latter were nihilists and didn't produce enough to prove their point, which, by the way, they didn't have to prove - according to their theory.
I always say, 'What if you had to sell the house tomorrow?' And if it's too idiosyncratic, someone won't buy it and then it's a bad house.
'Jurassic Park' and 'Star Wars' shoved me into loving sci-fi and film in general when I was a barely coherent 3-year-old. And 'Lord of the Rings' took me to another planet entirely. Before that series, I knew I loved writing, but after, I knew that I had to write.
When I was 5 years old, we had nothing in the village. One day, in front of my house, some soldiers in a big Cadillac started to do a picnic. I looked at them like they were coming from the moon. I remember they gave me a box of rice pudding - that, for me, was the American Dream.
My family was a good family, I had a great Canadian education and I came up in a great, little town like Ottawa.
But I've met a few fans from across the world who've had my name tattooed on them.
I love sweets. Like, every week of my life, I've had a cheat day.
I'd had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I'd learned in acting school still applied.
When I started analysing games in 2001, I had a DVD recorder. I'd be at home watching the games just on a normal TV, watching what I could and trying to figure out what we would be facing a few weeks later. The problem was, in the team meetings, I'd always have to keep going back and forwards with the footage, trying to get to the right part.
