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I never had many problems to do my music and to give it to a record company. Rarely do they try to argue with me about my music, probably because it's still too far-out.
It's like, it's up to the people to fall in love with the song. The record company can only do so much.
I wanted to produce Nancy LaMott's albums, so I created my own record company.
I've been lucky to be able to make the records I've wanted to make. The record company has never pressured me to cut certain songs.
It really is no different in the way that we make records and shoot music videos. I don't think of the movie as being a great leap out of my current profession.
Artists and the traditional record company model are at odds. The music business has notoriously taken from the artist. That shouldn't be the narrative.
I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.
Bananarama were written off from day one. Nobody believed in us but us. We kept having hits despite the record company, despite the press.
When you get to a point where you're not beholden to a record company, then it's up to you to say, 'OK, enough knob-turning. We're done.'
