It's always written that my father was a rich, conservative John Bircher. That is untrue. He was not rich. He was not a John Bircher.
When I fought Holmes, I feel I was a better fighter than he was. I was just so caught up in what was written about the fight - I got caught up in that whole thing.
The whole 'I Told You,' there's nothing written. That was all out of the feeling. That's why the album is so incredible to me - it's all out of the heart; I didn't take time to pre-calculate it.
I don't claim to be a particularly good father. I'm flawed, let's say. I've certainly been affected by the experience of having kids... trying to be a father, at least. It's an amazing process. It's like songwriting: it's a complete mystery to me. I don't understand it - but I've certainly written about it.
I've never had a written script.
Every writer secretly hopes that what he or she has written will endure.
People wanted me to do a CD-ROM of 'Hitchhiker's,' and I thought, 'No, no.' I didn't want to just sort of reverse-engineer yet another thing from a book I'd already written. I think that the digital media are interesting enough in their own right to be worth originating something in.
Getting older has been a bonus for me. I feel lucky that parts are being written for someone my age and I am around to play them.
I have read only the first 'Harry Potter' book. I thought it excellent, perhaps the best thing written for older children since The Hobbit. I wish the books had been around when my kids were the right age for them.
I have never knowingly, I swear to God, written satire. The word connotes exaggeration of the foibles of mankind. To me, mankind just has foibles. You don't have to push it!
I start writing at 7.30 A.M. and write till noon. I've never written a single word after 5.00 P.M.
I'm afraid I don't think I really have a life on which something can be written.
Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
I have written some songs, but I would really call what I've done poetry at the end of the day, because I'll sit with my guitar for hours and hours on end for, like, a week and then I won't touch it for a month. I also just have no confidence. And you know what? I don't have time, because I'd rather be doing other things, like knitting.
Frankly, I mean, sometimes the interpretations I've seen on some of the songs that I've written are a lot more interesting than the input that I put in.
I think the language as spoken in Limerick and Cork has not really been written; 'City of Bohane' is a combination of the two. Bohane is a little kingdom. When I began writing it, I realised that it was in the future and that it was a place that didn't care about anything that happened outside it.
The real thing is, you should be seeing these plays in the Theatre. That's what they were written for. That's where the enjoyment is. Studying them is no enjoyment whatsoever.
Had we settled in Pennsylvania, there's no way I would have written a Confederate novel.
I feel that Italy's a country that's constantly looking out and constantly following what's happening in other cultural centers. What is being written in America, what is being published in England, what is being published in France. It's a culture that's always wanting to absorb and inform itself of other works, other writers, etc., etc.
You know what that big number was? It was 1957. It's not the year I was born. I'm a little older than that. I wish it was the year I was born. It was the year one of my favorite books was written: 'Atlas Shrugged.' Ayn Rand.
Here is my theory on this one. If you write things down, if there is a mystery and you try and explain it, once you've written it down for permanent, in due time, it'll be proven stupid.
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships.
It's rare to get a really truly wonderfully written, acted and produced sci-fi show, period.
I have written for, very fortunately, some great singers from Frank Sinatra to Elvis Presley.
Let's think about where things stood in December 2015. By that time, Republicans had already had such epic and long-standing struggles with young people that I'd written a whole book about it. Additionally, Republicans had already had a bruising start to their primary season.
The funny thing, I guess, is that my husband ended up being the muse of a book about the worst marriage in the world, because if he hadn't consistently said, 'Don't censor yourself, don't worry about me' - if he'd been anxious and worried about it - then it would never have gotten written.
I have written 30,000 words in a month - think of it - 30,000! I hope I am putting the right number of naughts: an average of a thousand words a day! For thirty days!
I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
I've written almost 200 songs with Bad Religion. No matter where you look in our history, the focus has been trying to instill some of these disturbing realities about the world, some of the implications of evolution into an artistic format that can be interpreted by people who may never study evolution.
I think that, whatever happens, I'm just happy I've written those songs and I've made an album. That's really big for me, and I'm proud of that.
I've just written a very gritty, non-magical take on the King Arthur legend, 'Here Lies Arthur,' and I'm currently toying with some other historical ideas, as well as working with the illustrator David Wyatt on some sequels to my Victorian space opera 'Larklight.'
I have all of the Apple products. Everything I've ever written, I've written on a Mac. My first computer, my roommates and I chipped in, and we got that first Macintosh - 128K. It had as much memory as a greeting card that plays music.
I've always written. There's a journal which I kept from about 9 years old. The man who gave it to me lived across the street from the store and kept it when my grandmother's papers were destroyed. I'd written some essays. I loved poetry, still do. But I really, really loved it then.
