I just want to keep making music and see where everything goes.
I think focusing limits you. As long as nothing that I'm doing suffers from my ADD in wanting to do everything, then I want to just keep doing everything. It keeps it fresh and fun.
I never do things fearing I could do right or wrong. I just do it because I just follow my guts. This is really how I did it for 'Elektra' because I was just amazed by all the comics. I was good for me to get inspired by them, and I just follow my guts for the rest.
I mean, it's amazing that I get to meet all these people. I've learned so much from all of them. I just worked with Sofia Coppola and that was amazing. I learned so much from her. I can't even describe how much fun I had.
I really don't feel it's necessary, as an actor, to make people feel uncomfortable, just because you need to be in a certain headspace. So, I do take myself away and do my own work and hunker down.
Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.
I would not take for granted that my personal life - because I knew better than anybody - that it was just a life. It was surprisingly an ordinary life.
Society tends to always make multiples - whether it's twins or triplets or whatever - one person. And it's not always fair. I encourage multiples to embrace their individual uniqueness because, just as you are an amazing unit together, that can only happen when you are strong individually.
I grew up with my mom; it was just the two of us.
Life was so much simpler in pre-video days when everyone refused invitations because the 'Forsyte Saga' was on. Now we all just have a long list of unwatched shows, all of which, it seems, our friends are raving about. I feel as outdated as if I wore a Fair Isle sweater, ate Pot Noodle and had a two-bar electric fire in the sitting room.
I've just always liked hotels. I like the bed and the sheets and everything that comes along with it.
I don't write just to be clever. But sometimes I do. And if you don't have an understanding of the language, then the way in which it's bent doesn't actually register. It's the old you-gotta-paint-like-them-before-you-can-paint-like-you thing.
Just reskinning games with our intellectual property is not an appealing prospect for opportunity. That isn't something that creates long-term value for shareholders.
I think diverse stories are just stories. I don't think 'diverse' is an add-on package. Things that are not diverse are weird because that's not accurate.
A lot of times, people think of selfish, and they think of offense, but you can be selfish on the defensive end of the floor, too. If you don't uphold your end of our schemes and your responsibilities within those schemes, then you're being just as selfish.
A relationship is just a giant grey thing. Just beautiful and also frustrating. And it involves everything.
I think it's just important to be able to keep things to myself and to have these moments that can't be - where I don't put them out and feel like they could be misunderstood, you know?
The biggest and most interesting crisis in the world is the human crisis, and it never gets boring. It goes back to Shakespeare. You don't need a gimmick; it's just man against man and their intolerance of each other.
There's always an opportunity with crisis. Just as it forces an individual to look inside himself, it forces a company to reexamine its policies and practices.
Since I retired, I very much enjoy watching Serena Williams play. While I was playing, she was one of the toughest players I ever faced. Her ground strokes are so solid, her serve is one of the most powerful in women's tennis, and mentally she is just so strong.
I just felt like I'd rather listen to even the worst metal song more than most current pop music.
Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.
I would imagine that most of my writing is done spontaneously. I had no intention of writing, and then I'll just walk through the house, and I'll hear this melody, and I'll turn on the tape players and go back to it later on. Some days I'll get 3-5 songs a day.
I think I had a fur coat that someone bought me from Portobello Market back in the 1960s, but I think as soon as you think about it, what it is you're wearing, make that connection, then you realise it's just not right. I don't lecture people about it, but it's not something I'd ever wear.
I was born in North Carolina but moved to a suburb just outside of Philadelphia when I was 5, so mostly grew up there. I decided I wanted to become an actor when I was 8 years old. I literally heard a friend on the playground bragging about how he was taking acting classes and thought, 'Oh! That's what I'm supposed to be doing!'
You don't wake up one morning and say, 'Today is going to be a comedy day.' And the next day, 'Today's going to be a drama day.' Things happen in life that are fun and light, and things happen that are heavier. You just have to move your way through life, and I think 'BoJack' is a good reflection of that.
I think it's great fun sometimes when I am playing golf, just to give it a little uch, is to bet the other guy five bucks a hole or something like that.
Just to be fighting for the belt, I was already happy. No pressure at all.
Definitely just growing up in general influenced me; Detroit happened to be where I was. I feel like the city definitely has made an impact on my life and made me who I am. Detroit has an unmistakable soul - nobody can duplicate the soul we bring to the game. From Motown to J Dilla to Eminem to anything.
From a Hindu perspective, you are born as what you need to deal with, and if you just try and push it away, whatever it is, it's got you.
I have to admit that I can't take a whole fig and eat it on its own as I would a peach or mango. It's just too much.
You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
Audacity is central to everything I do. A lot of times I think my work is about just seeing if I can get away with it.
I didn't have an exhibition anywhere until I was 30. My first exhibition was at 30, and then for my first show in America, I'm 50. It's kind of all right: I'm just a slow burner.
I just look at Miley Cyrus, and I'm like, 'Great, you've doubled your audience. But you've also doubled the number of people that hate you, and doesn't that hurt?' It takes a crazy person not to be affected by that.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
