An art which isn't based on feeling isn't an art at all.
The part of the process that's exciting to me is feeling like I'm in a place I've never been before, in every way. Without that, I don't know if I'd be a writer.
Each time you take a good picture, you have the wonderful feeling of exhilaration... and almost instantly, the flip side. You have this terrible, terrible anxiety that you've just taken your last good picture.
Pressure is an emotional paralysis. It's hard enough to do the dishes when you're feeling pressured, let alone make a movie.
When I write songs, when I sing songs, I don't have anybody in mind. I'm just trying to express what I think people are feeling.
There's a feeling of elation that comes after getting off stage and then there's a feeling of utter sadness that comes after getting off the stage.
I was always the youngest boy in my class at high school. I have retained this feeling of being the youngest, even though now I am almost the oldest person I know.
I've told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you're not necessarily able to tell what's real and what's not.
I'm very big into just feeling good and doing what I want; I'm not very calculated or thoughtful about my moves.
I'm afraid that eating in restaurants reflects one's experiences with movies, art galleries, novels, music - that is, characterized by mild amusement but with an overall feeling of stupidity and shame. Better to cook for yourself.
What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.
The biggest challenge was becoming a leader and taking our team to the highest level. Feeling the personal responsibility to take the team to the next level. Overcoming fear of inadequacy and never getting down on yourself or doubting who you are.
Commercial movies have no feeling, no sensitivity. Most people tell me people won't understand films with feeling. But everyone can feel.
Most men, I am convinced, have an unmistakable feeling at the final moment of significant choice that they are making a free decision, that they can really decide which one of two or more roads to follow.
I remember how being young and black and gay and lonely felt. A lot of it was fine, feeling I had the truth and the light and the key, but a lot of it was purely hell.
As a developer, it's a great feeling knowing you have made an impact. There's also a lot of responsibility that goes with that: you have to really put the city's needs first. It's not all about making money.
My relationship with fashion is playful and very expressive of what I'm feeling at the time.
Sometimes I want to just pull the off switch, but you can't because if you go outside, you have to give people your all. You can't say, 'Oh, you know what? I'm not feeling good today.' No. No one's trying to hear that. When a woman comes up to you and says, 'Hey, my daughter's your biggest fan. Can we have a picture?' - you can't say no.
The Internet is a very intimate entertainment experience. I'm in my own apartment talking to people, and I want them to feel like they're with me in my apartment. So if I'm listening to them and taking ideas from them and being honest with how I'm feeling, it resonates even more that we're having a real, actual conversation.
Absolutely, there is a connection between food and love. I always say, when there's love in my heart or I'm feeling particularly good, the food comes out that much better. And so I think Valentine's Day is a special day.
If I'm not feeling super confident about an outfit or a little insecure - I'll probably accessorize my outfit with some jewelry.
No baby boomer has a completely original idea, but after 13 years on 'Today' and another 11 on 'Dateline,' almost 30 years total at NBC, I felt the urge to find out what was 'behind the camera.' I had the feeling there was 'something more,' though 'more' might be less.
I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
I've been sort of gentrification-obsessed. Right before I left Oakland in 2012, I was feeling it. Now I go back sporadically, and the change is drastic.
Death unites as well as separates; it silences all paltry feeling.
It's a small community, the classical music community, along with the excitement of new places and new things and this feeling of being at home wherever you go because that's where your community is.
I love the thrill of putting on a record and feeling like you got the wrong one from the factory.
Now, past middle age, with so many books written I still care about and only a few still in print, I know the feeling of being overlooked.
I love heels. I'm 5-foot-2, and I like feeling tall.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
I stumbled on a joke idea and style that worked, the audience went with it and, from that moment on, I was hooked. It's an amazing feeling.
The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.
The hate directed against the colored people here in St. Louis has always given me a sad feeling because when I was a little girl I remember the horror of the East St. Louis race riot.
One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me.
I think the feeling was that 'Venture Brothers' really has something to sell in terms of a feature. 'Aqua Teen' is an element minute cartoon, and its very subversive and non sequitur and weird. We were writing the one show where we were constantly like, 'God, I wish we had another hour to tell this story.' It seemed like a natural fit.
I've always had this feeling wherever I go. Of not feeling fully part of things, not fully accepted, not fully inside of something.
