It's really great to see an actor find himself, in his sojourn.
When I find a look that I like, that's my entire wardrobe.
It's in our nature. We need to explore and find out what's going on outside of who we are.
This Network Generation have grown up in a connected world. With Skype, Facebook, Twitter and the Internet, the world is at their fingertips via their smart phone. They find the idea of watching TV programmes at a time to suit the broadcaster quaint and old-fashioned.
I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.
My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.
Whether it's at their job, or their family, whatever - everyone feels that they're stuck in some kind of struggle. The idea is how to find your way out of it.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
I love when stories have something a little magical in them, and there's wonder and curiosity. Somewhere there are people living these improbable stories, and our job is to go out and find them and bring them to the page. And so, the more surprising, the more uplifting, the more sort of even inspiring a story is, I find myself gripped by those.
I'm trying to talk about challenging subjects people might not like and trying to find relief as we discuss it.
There's no secret, but inspiration has to find you working. And that's one of the key things that I've always remembered. And if I put my mind to it tonight, I think I could take a guitar, and by 2 or 3 o'clock in the morning, something will have happened - I'll have had something to hang onto. But I think that's the key.
Be ever engaged, so that whenever the devil calls he may find you occupied.
Dance is not endangered - it will always find a way to express itself.
There are recurring elements in popularized fairy tales, such as absent parents, some sort of struggle, a transformation, and a marriage. If you look at a range of stories, you find many stories about marriage, sexual initiation, abandonment. The plots often revolve around what to me seem to be elemental fears and desires.
Think for yourself. Act for yourself. Find out what you're capable of.
If you don't already know about jazz music, how would you be exposed? How would get an opportunity to find out if it spoke to you? If you get exposed to it enough, you might find a taste for it.
If I get the idea, and I get some clarity on how I feel about that idea, then I can safely assume I'll find the right words. I do have that confidence.
This is the time for me to step out and show that I don't just want to play the nice guy roles, and I think I'll find out what my limits are.
When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.
You just have to find your activism, and don't let anyone tell you what that should look like. If you're doing the work, and you're getting someone to think, you're on the right path.
My mother tongue, Mende, is very expressive, very figurative, and when I write, I always struggle to find the English equivalent of things that I really want to say in Mende. For example, in Mende, you wouldn't say 'night came suddenly'; you would say 'the sky rolled over and changed its sides.'
Should you find yourself in a chronically leaking boat, energy devoted to changing vessels is likely to be more productive than energy devoted to patching leaks.
If you're going to do a thing, do it fully so that no writing you give the world misrepresents you - so that nothing you put out there is like a sad regift you couldn't throw away and had to find a place for.
I find if you are in an office, the crisis finds you. If you're not in the office, the crisis finds somebody else.
I cannot sleep for dreaming; I cannot dream but I wake and walk about the house as though I'd find you coming through some door.
It is always interesting being on films sets - I have done it before with other actor friends - and I just find it fascinating. I just love that collaborative film family that develops around a project.
To find people who don't want anything is rare.
I like to flip flop, but making your days work to find a laugh is a really good way to spend a day. I appreciate it more going away and then coming back to it.
If you're very open to watching the world go by, with people's different tics, you absorb it all without realizing it and find ways to put something into your character. I'm not sure I'm always aware I'm mimicking someone.
We want to help everyone find meaning in their life and help translate the story that each person actually matters in the world.
There are writers' rooms that will write episodes all together, who will break into little groups and write certain scenes. Everyone's process can be a little bit malleable. Everyone tries to get into a groove or find what works for their room.
It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
I find I have to give myself a day when I just shut myself off and do nothing but read.
With DNA, the ability to find out a lot more with a lot less has increased our ability for identification.
We have teams of people working on electric cars. So you never know - you may find Virgin competing with the Tesla in the car business as we do in the space business.
While foreign competitors, French or Japanese or German, merrily bid for contracts abroad, American companies find themselves tangled in a web of legislation designed to express disapproval, block trade in certain commodities, or perhaps deny resources to disfavored or hostile regimes.
