It evolved out of the idea to make a kids TV show. And it actually turned out to be a bit dull and a bit regulated and too many people looking over your shoulder and it wasn't really.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.
Now, I've never hosted a reality TV show, but I know the true mark of a successful businessman is not the number of times you say, 'You're fired.' It's the number times you say, 'You're hired.'
I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
Doing a half-hour TV show is a dream.
My job is summer camp. I come and talk and try to make a TV show funny.
As I plotted 'Blueprints,' I realized that ageism against women is most obvious in the field of entertainment - and that I needed a TV show in my book.
Growing up, I remember watching TV, and I didn't see a lot of people who looked like me, especially someone who passed as a glamorous model on a mainstream TV show.
I have new bodyguards ever since I got a TV show. I didn't know, but it's a lot like becoming president. They tell you every single secret, like who shot JFK. When you have a TV show, they not only tell you who shot JFK, but they assign you bodyguards.
My first car was in 2006 when I got on my first TV show - a BMW 328i2 four-door sedan in slate grey. That was a great day, that was.
I'm used to seeing it, but it's weird having an Academy Award. You usually only see one of them on the TV show when they give them out, so it's kind of surreal to have one in your house.
I think my biggest problem was, as a celebrity on a TV show, you get an inflated ego and you think you're the center of the universe.
You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
While the TV show 'Rizzoli & Isles' may have been inspired by my books, show runner Janet Tamaro has total control over where the TV characters go from there. As Janet once put it, I'm the birth mother, but she's the mother who adopted them, and now that Jane and Maura are living in her house, they have to do what she tells them to do.
It seems like whenever a big newspaper or TV show talks about teen literature, they focus on dark books or vampire books. It's kind of this cliche. It seems like the only time adults pay attention is with that angle.
When I was a kid, like four or five years old, I was obsessed with the 'Batman' TV show in the '60s. And I took it totally seriously. At that age, I took it completely seriously. I didn't get the fact that it was kind of played for laughs. I didn't understand why my mom was rolling her eyes or chuckling.
I got scars from every film I've done, every TV show.
Writing a TV show is totally different than writing features, or just, what I started doing is writing features. You write a little bit more organically. You start from the beginning to the end, beginning, middle and end.
What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.
I just don't know that a TV show demands a movie ending.
I'm not the first to admit that raising a child in Park Slope, Brooklyn, can bear an embarrassing resemblance to the TV show 'Portlandia.' My wife and I try to have some ironic distance from the culture of organic, chemical-free parenting, but we're often participants.
So much of comedy happens between your chin and your shoulders. Nobody tells you when you get your own TV show that you're going to watch yourself in the edit room over and over and over again. It's a tough lesson.
For me, as an actor, one of the biggest fears on a TV show is getting stuck in something where you end up feeling like you're doing the same thing, every single year.
A lot of times what happens is, not even just with child actors, but people in general, is they get so caught up in the now. The hot song, the hot TV show, the hot movie. You're not saying 'OK, this is cool, but where am I trying to be 20 years from now?' That's always been in the forefront of my mind.
I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.
The average person in Hollywood just assumes that if you're on a hit TV show, then that's the first thing you've ever done.
When you're doing a film, you're on a set and you have retakes and you have time to get it right. And on 'SNL' it's just go, go, go. If you can't read the cue cards or miss your mark, you're just left to sort of screw up. So there's a lot more pressure doing a live TV show.
My favourite TV show is 'Pretty Little Liars,' and I actually made a guest appearance on it. I didn't really have lines for my character, but I definitely want to get more into those kinds of shows.
My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show.
When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.
I forget I'm on a TV show sometimes.
My first TV show was 2003. You wouldn't be in the game this long if you were using stooges and actors and all that kind of stuff; quite honestly, the answer is we don't need them.
I loved the movie 'Heathers' and the TV show 'Twin Peaks.'
To play different characters on a TV show where you're working every day, playing multiple characters every day, it's so ridiculously intense.
My very first job was working on a TV show that was a prestigious TV show and well done - was called 'Family.'