You can't really compare any TV show to a show written by Aaron Sorkin.
If you're watching a film on your television, is it no longer a film because you're not watching it in a theatre? If you watch a TV show on your iPad, is it no longer a TV show? The device and the length are irrelevant; the labels are useless, except perhaps to agents and managers and lawyers, who use these labels to conduct business deals.
I think where it's going is toward what the music industry is like, where channels will be considered more like labels that carry the type of TV show that you like, and then you'll consume them however you can. For example, I don't really watch Showtime, but I bought 'Homeland,' and I've been watching every episode on my iPad.
I have such a soft spot for the really cheesy zombie movies, but if I had to pick a really good one, I'd have to go with an actual TV show and say 'The Walking Dead'.
Also, if you're in a TV show that does turn out to be very successful, you then can do whatever you want to do in theater for a very long time.
There are days I like going out, and days I like to sit naked with the remote control on my thigh, watching 'Breaking Bad.' I'm in love with that TV show. And 'Louie' on FX. And 'The Newsroom' - well, I don't know if I like it, but I'm obsessed with it. It's so Sorkin-y. But I've got some friends on there, so it's good to support them.
My parents worked in the film industry, but they both worked behind the camera, so I like to think that I have a really good understanding of how all the parts of the puzzle come together to make a film or TV show.
There are times where we are shooting a TV show, and it goes very fast. But everybody has this freedom to still be artists.
I don't think anyone who runs a TV show would ever say to you, 'I have a grasp on running a TV show.' Maybe that's not true. Maybe there are people that do. I don't know.
I get bored easily, so I need to do a lot. I've started a record label, so I get to nurture new talent and talk about music, which is a passion of mine. I've written another book. And I get to come to work and do the TV show, which is always really fun.
Either I need an assignment with a strict deadline - like something for a movie or a TV show or whatever - or else I need to create a made-up deadline for myself for my own records. Otherwise, I don't write anything.
I had a brilliant drama teacher while I was at Roland Park: Ann Mainolfi. But the school was mostly rich in academics. It wasn't like I was prepping myself for a life in acting. There, you prepped yourself to have a stable future. The school's piece de resistance is college prep - it didn't teach you how to audition for a TV show.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
Well, the average person comes home from work really tired, and just wants to flip through channels until they land on the thing that's the least objectionable to them. They're not looking for their new favorite TV show because they know that that search will take forever and they'll go to bed unhappy.
What I really honestly want is just to be working steadily... I would love to just be on a great TV show and have it run for awhile.
I like the consistency of a TV show, but I like it for three months out of my year, not nine.
I don't have real big aspirations to be a movie star. I would love to be on a long-running hit TV show. You end up playing a defining role.
My viewers are smart. They know I have a contract with a TV show and that I make a lot of money.
My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.
I've done a lot of movies before 'Entourage,' and I hope to always have my movie career going. Maybe I could take on another TV show, too.
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
Anytime I do a movie or a TV show, I make them aware of my hearing loss at the beginning, and that makes it much easier for all of us to communicate and get the job done.
I hate to go to movies or watch a TV show and know the ending within 15 minutes.
The good news about showcasing chefs and the TV shows is they've attracted a lot more smart kids to the profession than 30 years ago. On the downside, though, these young chefs all say they want their own restaurant and their own TV show.
I was distributing DVDs in Mumbai in 2006, and that is when I got my first TV show offer - 'Left Right Left.'
If I don't get a TV show next year because someone looks up my Wikipedia and it says 'openly gay,' then it's worth the risk because I've had so many years being openly gay and proud of myself as a role model.
I feel like every first episode of a TV show is bad, you know, and it always improves.
Whenever anyone asks me if I'm from a TV show, I say yes - no matter whether I've ever been on it. It just makes the conversation that much easier.
I have a hit TV show.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
Ariana Grande was on a TV show, and then she started her career singing. If I'm offered a TV show, I'm going to pursue that and then see if I can push my singing. And then if I push my singing, awesome. My biggest goal, though? Be an actress in movies. I would love to have a career like Meryl Streep's someday.
When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
I like Michael Moore, but I think of him more as a rabble-rouser. On his TV show, when he went to the home of the guy who invented the car alarm and set off all the car alarms on the block... pretty funny.
I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
I didn't want to commit to a TV show.