Zitat des Tages über Ensemble:
Ensemble is hard to do. It's like 3-D chess.
The whole period has taught me that I enjoy being part of an ensemble rather than just a front man. Don't get me wrong - I enjoy that too, but I get more enjoyment out of really listening to everyone.
I can imagine wanting to work with this ensemble and this company always.
When I chose to do 'Carrie,' I never had done anything on camera before. I was always onstage, so everything surprised me. Just going on set and walking into a makeup trailer and seeing Chloe Moretz and Julianne Moore - 'Wow, I am part of this ensemble.'
The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.
The oldest form of theater is the dinner table. It's got five or six people, new show every night, same players. Good ensemble; the people have worked together a lot.
I would be an actress for the rest of my life just because it's really relaxing. Writing is hard work, and stand-up is so stressful before you get on stage, but acting is a complete ensemble experience.
When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.
It is not together, but the ensemble is perfect.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
The joy for me of television is the sort of family feeling of being involved with an ensemble - the cast and the crew and the director of photography and the guys in the camera truck - and you're all coming together. There's a great feeling when that is a successful unit, a successful family.
The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.
I just have always felt that I think we know that it's an ensemble show, and it's very hard to pick a show to submit when you're nominated, because usually everyone has a very strong part in every episode.
I like movies because I've been getting leads, and TV is more about ensemble casts.
I firmly believe that 90 percent of the confusion that women feel when they are attempting to put together an occasion-specific ensemble is caused by fear: fear of breaking the 'fashion rules,' fear of violating some long-forgotten tradition, or the basic fear of looking bad.
I've done a lot of ensemble work, and I like that.
I just want to be a part of great stories, whether I'm part of an amazing ensemble cast or I'm leading it or the antagonist or whatever.
Theater and sports are connected. You've got your team - or ensemble - your goal and your determination to win.
Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't continue in this direction, even if people liked it, because I can only duplicate myself.
Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.
I had dance training from a very young age, 3 or 4... It taught me how to present myself, about preparation and working in an ensemble, and it's something that carries with me to this day.
As an actor, I'm always playing solitary characters. But as a director, I'm always making ensemble movies, which focus on lots of people's lives and how they intertwine.
The best decision I made at NYU was joining the Shakespeare ensemble. It literally led to everything I did after that. It gave me the kind of confidence I really needed.
I've always been a good ensemble player.
When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.
'Friends' was a true ensemble. There really was no star of the show.
I don't have any tattoos - I live vicariously through my sister, Langley, who has many. If I can't stick to one ensemble, I don't think I could stick to one tattoo.
Certain scripts require an ensemble cast. I'm absolutely fine with that. I will not deprive myself of the chance to be part of a good film because of insecurities or fear of losing my market. But my role must be well-defined.
And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.
Yeah, I love doing ensemble pieces. You get to meet so many new people and make new friends.
I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.
I would act whether or not I was paid. I would be involved in ensemble groups. I would have the desire to tell stories.
I was surprised I was nominated for an Oscar because 'Cocoon' was such an ensemble picture. But now I'm certain it wasn't only for 'Cocoon.' It was a lifetime award, so I accepted it in that vein, and it probably meant more from a recognition standpoint.
The toute ensemble was such as to make polished society blush, when compared with these savages.
I hadn't done just a straight-out comedy in a long time, just letting an ensemble do really good character acting, having them carry the movie as in my earlier pictures.
