I'm not crazy about being out of control, and I get emotional when things are unclean. When things are out of order. When things are messy. Because I lived in a mess as a child.
'Affinity' is beautiful and intense, with no laughs. It's a rather delicate and emotional love story, with a spooky element.
I didn't expect to feel pathos for the villains in our show. I feel quite moved in several of our episodes; I never realized that a show like 'Motive,' which aims for a broad appeal, could have that sort of emotional impact.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
If you're getting ready to do a really emotional scene then, right before it, you're probably not going to be outside playing basketball.
Within the black community, roughly 60 percent of children are born to single moms. Moms don't have the emotional wherewithal to deal with their children. Their English is atrocious. Their speaking is atrocious. The dropout rate is horrendous.
Foreign languages was the only thing that interested me when I was at school, so playing in another language... it is quite demanding because if it is not your mother tongue, you are missing some connotations and some emotional depth of certain things.
A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.
Delhi is my emotional home. I still dream of owning a home there.
I'm much softer than people think. I don't present to the world an emotional face. I'm pretty good at self-control, but I am easily moved.
I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
I think the emotional appeal of a platform is what works. I think the old-media entities still have not figured out that part of the game plan.
I think films about men are often about characters who don't want to express their feelings. You're supposed to kind of admire them for not expressing their feelings. And I feel that's a bit dull. Women's stories often have stronger emotional content, which I enjoy doing. What I really love doing is mixing that with humor.
'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story.
Readers embrace all kinds of characters as long as they are written with emotional truth.
I am a very emotional guy. What I love, I do with all I have.
I don't feel any pressure from fans. But I'm always in some kind of state of emotional turmoil. I would not describe myself as happy-go-lucky. That's not to say that I'm not happy.
If you like to argue just for the sake of being contentious, you shouldn't pick a job based on this unresolved emotional issue of yours, you should get counseling for it.
When I walked up on stage at the Emmys, and when people stood up, it was a really sort of emotional, overwhelming moment. It was like I had been accepted.
Why e-mail a full emotional statement when, instead, you can text a totally insignificant and ambiguous half-considered phrase?
My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
I think audiences sometimes mistakenly assume a quality performance comes from some great emotional disturbance rather than really intense concentration. Concentration and flow is what it's all about.
I went into politics on an emotional level and soon realised that emotion has nothing to do with politics.
Each of the 'Toy Story's are telling an emotional story, but they're comedic. They're so successful creatively in terms of the stories they're telling. And they're pretty grounded.
Whenever there's heavy-duty emotional work to be done, they call me. As for playing the completely off-the-wall, sexy, gorgeous lady that I am - no, they don't think of me.
'The Voice Kids' was a tremendous success in Holland. There was a big emotional reaction from the parents of the children taking part.
Memory is a code to who we are, a collection of not just dates and facts but also of epic emotional struggles, epiphanies, transformations.
The way I played the game, the way I live my life, is very emotional.
Years ago, when I was in Siena for the first time, I saw the works of Duccio, whose deeply emotional painting from the thirteenth century has never left me.
Grief is an emotion that's almost unplayable because you're in a separate emotional state; it's an inconsolable emotion.
Fiction allows you to embody certain ideas and give them an emotional reality. The characters allow you to get close viscerally to an idea.
Revolutionaries were depressed and close to emotional breakdown; after the failure, they left successively.
I've got a massive actor girl crush on Carey Mulligan, so I'd love to be buddies with her. She just oozes this joyful, natural innocence and always brings a nice emotional depth to her character.
It was the understanding of the power of perception that allowed the Martin Luther King, Jr. generations to stay true to the strategy of non-violence, refusing to retaliate when every emotional instinct would justify them doing so.
I would never make a purely autobiographical movie, because it would be incredibly boring. But I always bring something. It's usually some emotional truth I've experienced, like in 'Get Him to the Greek,' the relationship between Jonah Hill and Elisabeth Moss, I had certainly had that kind of relationship with a girlfriend.
Tom Sleigh's poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
