Families rely on financial services more than ever, but those who need them most - who struggle to make ends meet - too often must contend with sky-high interest rates and tricks and traps buried in the fine print of their loan products.
A lot of consumers actively enjoy advertising, especially fashion print ads and clever TV commercials. The nostalgic cable channel TVLand features not only vintage shows but also vintage commercials.
I want to print books by people in the film industry.
The government, of course, will print money to bail out the banks' uncovered casino bets, but not to bail out the elderly from the theft of their funds.
If the goal of the DOT's rule is to prevent companies from deceiving passengers about the total cost of their ticket, why is the department mandating that airlines hide the taxes, surcharges and government fees in the fine print?
I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.
Cursing is highly effective in person - someone kicks his car in rage, forgetting he's wearing flip-flops, flames pour from his mouth, and it's impressive. But you see it in print, and it's just ugly.
'Inequality' has become the political theme/slogan of our time in both Europe and the U.S., yet political leaders do not even bother to consider that their own policies, which put the entire burden on central bankers to print money and drive up stock, bond and other asset prices, are actually exacerbating income and wealth disparity.
The miracle of turning inklings into thoughts and thoughts into words and words into metal and print and ink never palls for me.
The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular successes: 'Tobacco Road', 'Abie's Irish Rose' and our old friend 'Spider-Man', which got the worst reviews in theatre history and is still apparently going strong.
People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.
Some taxpayers may object to a print journalism bailout on the grounds that it mostly benefits the liberal elite. And we can't blame taxpayers for being reluctant to subsidize the reportorial careers of J-school twerps who should have joined the Peace Corps and gone to Africa to 'speak truth to power' to Robert Mugabe.
I got my fair share of stick. But I surrounded myself with fabulous girls, and they all loved me because I made them clothes. I remember making them all leopard print tops and tartan skirts for a party we went to once. It's scary to think about it now, actually.
All the states are required, either by constitution or by statute, to have balanced budgets - they're not able to print money. So they have to focus on establishing priorities.
Contrary to what we conclude naturally, the gospel is not too good to be true. It is true! It's the truest truth in the entire universe. No strings attached! No fine print to read. No buts. No conditions. No qualifications. No footnotes. And especially, no need for balance.
Storytelling is my currency. It's my only worth. The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out.
Mentoring is the last refuge of the older artist. With luck, disciples will keep one's books in print, one's reputation alive.
If someone tells you something is off the record, I don't print it. If they don't tell me something is off the record, then it's fair game.
I'm perfectly fine with the fact that lots of young folks are wanting to watch anime and read manga. I'm perfectly happy that they are doing things online, reading there as opposed to traditional print magazines.
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
It's not cool to have your name in print when it's not the truth.
The next episode of 3D printing will involve printing entirely new kinds of materials. Eventually we will print complete products - circuits, motors, and batteries already included. At that point, all bets are off.
I grew up in the '70s and '80s, at a time that I'd argue was the absolute golden age of American popular culture. Because not only did we have all of the fantastic new stuff in print and on screens, but we had a constant supply of everything that came before, as well.
We had seen the way the print industry had been disrupted; we'd seen how the audio industry got disrupted, so it just seemed like a natural progression that video was next. We thought we were late to the game in 2003.
Client companies and advertising agencies are old-world-order places. The systems and processes and structures come from a time when you shot the TV commercial, then you did the print ads, then you did everything else - including the website. Everything has changed, but the systems haven't.
I don't think there's a... boundary between digital media and print media. Every magazine is doing an online version.
You just have to find a lawyer that won't let you sign certain things - and I mean the fine print, because I was gone from Phil Spector and signed with Gamble and Huff in Philadelphia, and Phil bought my record contract back from them.
I think most people aren't really privy to how stories are developed and what stories are - make it to the front page or to the mainstream media, whether it's in print or in broadcast. And I think they'd be shocked and disappointed to see some of the bias that exists in some of the stories that don't get told - or the manner in which they are told.
There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.
I'm no Buddhist monk, and I can't say I'm in love with renunciation in itself, or traveling an hour or more to print out an article I've written, or missing out on the N.B.A. Finals. But at some point, I decided that, for me at least, happiness arose out of all I didn't want or need, not all I did.
People set newspapers on fire; they use them for wrapping fish. The Internet does not have that property. What I don't think we've gotten is that you can make things last longer than in print.
When I first started submitting my work professionally - and we're talking years and years ago - I had no patience for editorial response times. I hated waiting to hear back from people, hated waiting to see my work in print.
I know it sounds strange to say, but the very technologies that have made traveling easier for most people - GPS, automated ticket machines, online schedules and ticketing, boarding passes you can print out at home - have actually made things harder for me.
The net's future is far from assured, and history offers much warning. Within a few decades of Gutenberg's creation, princes and priests moved to restrict the right to print books.
In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.