I thought psychologists were people who rob, figuratively of course, money from the insecure. But they are not. They are people who are there to help you, and if you find a good psychologist, they will allow you to talk about everything and open up, without the slightest of fears, and that is no easy thing.
The first thing I'll do if elected is demand a recount.
When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.
Foreign languages was the only thing that interested me when I was at school, so playing in another language... it is quite demanding because if it is not your mother tongue, you are missing some connotations and some emotional depth of certain things.
I'm meticulous about tasting everything at the restaurant, so I taste all the preparations before lunch and dinner. That means tasting around 50 dishes twice. There are times when I think I can't taste another thing.
Patience is key. You can't get selfish, and that's the number one thing I've learned at WWE. The world continues to go round, and I just knew - given the right opportunity and the right moment - that the world would know I was good, but now the world knows that I'm great.
From start to finish, my experience with 'Moonlight' has been the most unique thing.
Are black people conscious of how excruciatingly self-conscious white people have become in their every interaction with black people? Is this self-consciousness an improvement? Maybe not, because I'm thinking of people in categories rather than as people, which is a famously dangerous thing to do.
I think tax reform is the single most important thing we can do in this country to unleash economic energy. It's going to unleash growth.
We plutocrats need to get this trickle-down economics thing behind us: this idea that the better we do, the better everyone else will do. It's not true. How could it be? I earn 1,000 times the median wage, but I do not buy 1,000 times as much stuff, do I?
Wealth after all is a relative thing since he that has little and wants less is richer than he that has much and wants more.
There's this thing about authenticity when you rap, right? Whether or not it's real, it has to feel real.
I've been surrounded by women my whole life, so obviously I love fashion... But I'd like to do my own thing and focus on what I love. If people accept it, they accept it. If they don't, they don't.
We need policy change, and the most important thing people can do is to contribute and participate in the political process. We have to vote climate change deniers and people who will create subsidies for the fossil fuel industry out of office. We have to protest when bad decisions are being made about fracking or tar sands.
In fact, corporate and union moneys go overwhelmingly to incumbents, so limiting that money, as Congress did in the campaign finance law, may be the single most self-denying thing that Congress has ever done.
The best thing is being really close. The worst thing is being really close.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
It's such an egotistical thing to be able to just stand there and say, 'Action!' It's like being a little mini-god.
After 'The Wonder Years,' I ended up having a voiceover career, which was something I never even knew was possible. But after the character I was playing on 'The Wonder Years,' people said, 'Oh, would you like to do a Burger King thing? And there's a 7 Up thing...' And then I got to do 'Dilbert.' I think my voice kind of fit for that.
I was the worst actor, but here's the cool thing about it: I had no idea.
The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
Creating a role is an interesting thing - each show or each situation is different.
Most people, from their second album on, find it much harder to be as spontaneously creative as they were with their first couple of records, and some people only have one thing that they do.
I say 'here's the thing' a lot, both to alert people that I'm about to say something important and to give myself a moment to figure out what that important thing might be, because my head is so often completely empty.
When I was about 9 years old, man, I realized that the real thing was not only to do what you were doing totally great, but to look totally great while you were doing it.
I don't know how people do this waxing thing. Now I just have all these bumpy ingrown hairs.
You know all those models who say, 'I was so tall and lanky and everyone picked on me at school' - I was not that girl. I hear that and I'm like, 'Oh, you poor thing!'
I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.
A lot of the writers I've known for 20 years, who used to say, 'Maybe they're right - the novel is dead!' - well, now they don't feel that it's necessarily the biggest job or most sacred calling on the planet. But it's definitely a real thing - it's always been here, always will be here, and one might just as well buckle down and get to work.
I used to throw on soundtracks, and orchestral stuff would be the only thing I could write to, maybe 'Dead Can Dance' or 'Cocteau Twins' or something. Mostly, it was movies scores that would kind of inspire me.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
The funny thing about advertising is that it's not a zero-sum game... Historically, in the digital ad world, pie has gotten larger and it's possible for everyone to win, and it's perfectly possible that will continue to be true for quite some time.
This whole motherhood thing has really been, like, back to work from the get-go. It's sort of a balance.
I think we live in a world where the most important thing is daily life: sharing a space with your family, making meals, being with your people. It's not only the idea of privacy, it's the beauty of the moment, at a time in the world when everything goes really fast - too fast.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
