People who are in politics to be right all the time would be better off taking up fly-fishing. It's less dangerous. Politics that is not applied in the real world and doesn't address the real challenges and paradoxes and agonies is a hobby.
Do we believe that there is equal economic opportunity out there in the real world, right now, for each and every one of these groups? If we believed in the tooth fairy, if we believed in the Easter Bunny, we might well believe that.
What you learn in school is the opposite of what happens in the real world. In school, you're always worried about minimums. You have to reach 20 pages or you have to have so many slides or whatever. Then you get out in the real world and you think, 'I have to have a minimum of 20 pages and 50 slides.'
To be matter-of-fact about the world is to blunder into fantasy - and dull fantasy at that, as the real world is strange and wonderful.
In government-directed economies, the collective takes priority over the individual. The moral ideal is equal results. That approach could not be further removed from the real world.
'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.
I wouldn't say Malkovich is totally insane, but he's not living in the real world. He's living in his world, which is a fine world to live in apparently.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
Society exists only as a mental concept; in the real world there are only individuals.
The same people who never did their homework in high school are still doing that to this very day out in the real world.
In the film world, we can all be heroes. In the real world, where heroism can cost you your life or the life of the ones you love, people aren't so willing to make those sacrifices. When they do, they are set apart from the rest of us.
I like the accidental nature of being in the real world.
I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.
I get bitter, angry and disbelieving and I tell my kids there a lot of idiots out there. I also want them to know that being successful is not the real world - that their parents get treated better because they're on TV.
Science fiction is about things that plausibly might happen. Grounding my work in the real world helps make that clear.
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.
The thing that bums me out about 'The Real World' is I don't want to believe that teenagers are that stupid.
Journalism is a kind of profession, or craft, or racket, for people who never wanted to grow up and go out into the real world.
Trust your gut instinct over spreadsheets. There are too many variables in the real world that you simply can't put into a spreadsheet. Spreadsheets spit out results from your inexact assumptions and give you a false sense of security. In most cases, your heart and gut are still your best guide.
My biggest ambition is to bring together what happens in the real world with what politicians talk about.
We all assume that if you're weak and poor, you're never going to win. In fact, the real world is full of examples where the exact opposite happens, where the weak win and the strong screw up.
My fiance and I had a few problems working through some of the things that he saw me say and do on the 'Surreal Life.' Considering the company that I was in, Ron Jeremy and Trishelle from 'The Real World,' I think I was pretty tame.
It's true, I don't like the real world.
The problem with people who live in a world of speeches and books and theories is they don't know how to fix things in the real world when they go wrong. They feign ignorance, blame others, and make another eloquent speech.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
I seem to get totally wrapped up in teaching and working with students during the school year. During the summer, I try to spend time in the real world, writing code for therapy and perhaps for some useful purpose.
I think it's sad to me that I had to make a decision to not play the game that I feel like I'm best at and that I love. But if it was just about the game itself, I'd be there in a heartbeat. But that's not how the real world works.
For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
To try to teach ignoring technology is to ignore the progress that we have made over the last century. If school is preparation for the real world - a real world that is increasingly technology-driven - then to ignore technology is to become obsolete.
There are few things as seemingly untouched by the real world as a child asleep.
Cyberspace is colonising what we used to think of as the real world. I think that our grandchildren will probably regard the distinction we make between what we call the real world and what they think of as simply the world as the quaintest and most incomprehensible thing about us.
I think the avant-garde often hides itself in the highly incomprehensible because they are frustrated that the real world is so boring.
It can hardly be denied that such a demand quite arbitrarily limits the facts which are to be admitted as possible causes of the events which occur in the real world.
When you're on stage, the real world just drops away for that time. It's pretty intense.