My feeling is that if there are that many billions of stars, maybe someone is saying exactly what I'm saying at this moment. I don't know. It's not something I'm obsessed by or think about all the time, but I certainly open to thinking it could be.
Any article's good. Long as it's publicity, I think that's all that matters. I think it's advancement for my career.
Being a sex symbol has to do with an attitude, not looks. Most men think it's looks, most women know otherwise.
I recognize that I have a unique position to be a role model to young girls because I am doing something that they consider glamorous, which is acting, and yet I took a time to really get my education and study mathematics, and I think math is the cat's meow.
I think that, to a lot of people, they don't like my brand of whatever I do. And I think that people - the ones that like me, at least - see me as their brother or their older uncle or their friend or their next door neighbour. I am the quintessential boy next door; I feel that way.
I think beautiful independent films are made, and I think they're as close to what theater can be because they're not loaded with all of the extra stuff. It's human, and it's more organic, but theater is very unique... It's a different connection altogether.
I think sci-fi can easily be PG.
This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
I believe the Abominable Snowman may be real. I think there may be something in that.
I think it's important Republicans be in the majority so, like my Democratic counterparts, I give to the party.
We all think we're liberated when we have more of everything, don't we? That's what the media tell us.
We think that this message - of someone that's from the private sector that built a company and now wants to shrink a government and grow an economy - is a winning message.
A lot of young people don't think they can make a difference. That's really what I am at Dartmouth to do. I'm there to tell the young people, 'Look, a few committed souls can change the world.'
I think I'm a really tough player.
Science fiction was never my thing. I have no interest in it. So I don't think I could successfully pull off being on a project like that without really losing my mind.
The reality is that we only have one person whom the public sees as appropriate to be prime minister, and that's a shame. I think that if there were more, it would be better for everyone, including Netanyahu.
Metaphorical tone deafness is when people are unable to discern what is of value in something. I think I'm tone deaf to poetry, for instance. Despite having studied it into a second year of university, most of it just leaves me cold.
I think I learned about the relationship between books and life from Margaret Mitchell.
People think about Bitcoin incorrectly. They think about it as currency or about gold or hoarding, speculation, about how much money do you make. When really, what it is is an API for programmable cash transactions.
I don't think any woman wants to be known for being beautiful or busty. I think you want to be known for who you are.
I really don't think I ever thought I could be a model. I was shorter than all of the models around and certainly rounder than anybody that I had ever seen in a magazine.
I think so many people are reactive... they see things in a short term way they're right up against it.
I don't think, as a player, I have a weakness on the field. I've done a great job of becoming good at everything, so I think that's what separates me.
I'm sorry, but Juicy Couture tracksuits and Ugg boots don't move me in any way, shape or form. I refuse to wear them. Modern fashion doesn't appeal to me; the 1950s were better in every way, don't you think?
I think pop music is a great place to get new ideas across.
I think female solitude is a mental condition as well as a physical state. You can be married and a spinster. I think spinster is an identity every woman can claim, if she will... I feel like a lot of women, or a lot of feminists, joke about taking to the sea or living alone in a cottage as this kind of fun freedom.
That's why I felt so at home when I went to Africa. It didn't matter that I was halfway around the world in a foreign country, because all those elements are universal. And I think that's one thing about my work: It's universal.
I always used to pretend to be different characters - cowboys, that sort of thing. I used to think that the Indians lived over the mountains that I could see out of my bedroom. As I grew up, I started to understand that acting was actually a craft, and there was no question about it, that was exactly what I was going to do.
I couldn't describe how little interest I have in men. Or I could - but I don't think that it would be appropriate.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
I think of myself as a storyteller.
I don't ever expect to be permanently happy. I don't think that's part of the human condition.
I think that people always say when people pass away that time heals all wounds. And that's probably the biggest lie. It's not true. I think we all need to remember that it is always still tough, and it's like losing a piece of your heart.
I think when writers play with dragons, we are simply doing what fantasy writers have always done.
I don't even know why, but I've just always done it - I don't walk on handicapped parking spaces. I don't like to step on the blue lines. I always step over them. I don't know what the deal is. I don't know if it's a fear of injury, or a disrespectful thing, or if I just don't want to think about something like that happening.