I've got lots of good friends. I could have affairs. I can read a book all night, put the cat on the end of the bed. I can pick up my passport and go to France. I don't have to ask anybody.
If you could have a book called My Favorite Six Stories, I don't think I'd have trouble doing that.
I normally keep a series of draft in a catalogue type of book in which I scribble, sketch and draw ideas.
Everything in the world exists to end up in a book.
If you read a book that's fiction and you get caught in the characters and the plot, and swept away, really, by the fiction of it - by the non-reality - you sometimes wind up changing your reality as well. Often, when the last page is turned, it will haunt you.
Every day I run into people who don't know what I do. And even after I explain it they still don't know what I do. So now I can just say, 'Pick up the Locas book!' And that tells them all.
The words of my book nothing, the drift of it everything.
The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
It's tricky to take a book of short stories and turn it into a feature film.
You might be a redneck if... the blue book value of your truck goes up and down depending on how much gas it has in it.
Be it a video game, comic book, or cheque book, the question always is, 'What story do you have to tell?'
I have to finish this book tour of almost 30 cities.
I learned quickly, as I tell my graduate students now, there are no answers in the back of the book when the equipment doesn't work or the measurements look strange.
I wrote my first full book when I was fourteen, and that was 'Obernewtyn.' It was also the first book I had published. It was accepted by the first publisher I sent it to, and it was short listed for Children's Book of the Year in the older readers category in Australia.
As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness.
I used to read a lot of fashion magazines: my favourite was 'Nylon.' I used to cut out all the pictures from magazines, and I had this book where I would keep all of the stuff that inspired me.
I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.
Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.
No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.
The 'EU in a Nutshell' is a miscellany of facts and anecdotes about the system which rules us. It's a book you can delve into in pursuit of a particular fact, or crack open for entertainment at virtually any page.
I've said to others that there were places I had forgotten about that were just so powerful. I've read the Gospels many times, but it's been a while since I've read through a whole book.
I remember once I read a book on mental illness and there was a nurse that had gotten sick. Do you know what she died from? From worrying about the mental patients not being able to get their food. She became a mental patient.
The book tour has been really interesting and very gratifying. I have not book toured before. I've never had quite as much pleasure, as much satisfaction.
The first sentence of a book is a promise.
O Day of days when we can read! The reader and the book, either without the other is naught.
The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
It's important, I think, for a writer of fiction to maintain an awareness of the pace and shape of the book as he's writing it. That is, he should be making an object, not chattering.
'Mandie and the Secret Tunnel' - the book and now the movie - pits a very young woman against forces she cannot control and events she cannot possibly know about. She's in way over her head, and you're pulling for her from the opening scene.
What I would do is when I was younger I would draw in a sketch book something that happened in my life and then write a little something on the side about what happened or what the story.
The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
Academics love to make theories about a body of work, but each book consumes the writer and is the sum of his or her world.
I was asked by an editor to consider writing something about an American inventor. I asked him if he knew who invented the computer. He said he didn't. In that case, I told him, I should write a book about John Vincent Atanasoff.
You know, after filming the movie the book was still just as big. I think it was actually bigger. I think Stephen King went back and wrote extra pages. He's fantastic.
I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had.
Back in my younger years, I read an average of a book a day. That was when I was going to school full time and working a job after school 30 hours or more a week.