I would love to do Broadway the rest of my life! Because it's challenging, because it makes me grow as an actor, as an entertainer, as an artist, and that's what I need; that's what I'm hooked on.
I'd studied dance in Chicago every summer end taught it all winter, and I was well-rounded. I wasn't worried about getting a job on Broadway. In fact, I got one the first week.
The actual cheerleaders in our film are all Broadway dancers.
I was going to go to college and graduate and move to New York and do the Broadway thing. That's where a lot of my influences vocally and writing come from. Then I did some covers, and towards the end of college, I saw it was a path I could take. I wrote more pop music.
I'd love to do Broadway or the West End. I'm sure doing eight shows a week is gruelling, but I did a lot of stage shows in Sydney and I love performing live.
It has long been a dream of mine that this important story one day would be told on the great American stage of Broadway. In fact, I've dedicated much of the latter half of my life to ensuring the story of the internment is known.
When I was on Broadway, I got really sick with walking pneumonia. I decided not to take my health for granted anymore and make it a priority. The great thing is, the pounds just started to fall off.
I was in 27 Broadway plays, and three of them got the Pulitzer Prize.
I spent 15 years of not being able to get a job creating a role on Broadway.
I did a Broadway show with Alan Alda and how much money can Alan Alda have.
Broadway is a main artery of New York life - the hardened artery.
I am almost famous in China, because I have that Broadway cachet.
I would love to be an amazing singer. I take voice lessons. It's good to have as a dancer - to be able to sing and act, too, because for a Broadway show or musical, you have to be able to do everything.
I am only satisfied insofar as I feel 'Broadway Boogie Woogie' is a definite progress, but even about this picture I am not quite satisfied. There is still too much of the old in it.
I can't tell you the thrill and joy of when I was cast in my first Broadway show. Granted, it was 'Starlight Express' and it was exhausting, but it was my first time on Broadway, and there was nothing like it.
Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.
Every year I go to Broadway to see a musical - I like the music. I saw 'Mamma Mia;' I saw 'Les Miserables;' I saw 'Phantom of the Opera' like six, seven times.
It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.
Without a doubt, I'd love to do Broadway. I actually can't wait to get back to musical theater.
Broadway is such a diverse community. Everybody knows how I believe, and everyone believes, and it's not a big deal. But in Hollywood, if you talk about politics - especially if you're a Republican - or spirituality, it's just not something people want to hear about.
I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
It's one thing to experience your Broadway debut alone, but to share it with an entire company was like summer camp or a college experience, where you were really growing up together.
Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.
I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.
I went to Broadway and I've been doing some fun guest spots with 'Entourage' and 'Glee' and I'm ready to have my own show.
I didn't think it was my dream to be on Broadway; it just sort of became that, and then it just became me wanting it more and more and more.
Madeline Kahn is one of my favourite people in the entire world and one of the funniest. She was a talented Broadway star and also sang opera.
I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.
I did I Love My Wife on Broadway in 1978, and then went into television land. Now things are starting to come together in the way I thought they might when I was a kid.
I received the most fantastic welcome to the Broadway Theatre community. I walked on stage to tremendous applause and a long standing ovation, wondering when I was ever going to be able to say my first line!
I already have a Tony for my Broadway concert in '73. It's one of the most precious things I've won.
I started when I was in 'The King and I' when I was on Broadway when I was nine.
But then all that died down and as far as casting was concerned it didn't really matter that I had been on Broadway.
I understand people who boo us. It's like going to Broadway show, you pay for your tickets and expect to be entertained. When you're not, you have a right to complain.
I did Chicago on Broadway the year before last. That was a great opportunity and I had a blast.
At a very early age I knew I wanted to be an actor and then more specifically that I wanted to be on Broadway and be in musicals.