If you'd ever told me that my Broadway debut would be playing Spider-Man, I would have laughed in your face.
It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.
For me, there's nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it's on Broadway, in Florida, or doing a tour.
I've been dancing since I was seven, but I never really developed a regimen until I was on Broadway and responsible for a professional performance every night.
If Broadway no longer seems behind the times or ahead of the times, it may be because there are no 'times' anymore, no prevailing Zeitgeist that sets the fashion, pace, and prevailing look.
The only reason anyone goes to Broadway is because they can't get work in the movies.
My dream of dreams is to write Broadway musicals. All of this Twitter and TV writing is just a day job.
I sang in 'Waiting for Guffman,' and I sang in 'A Mighty Wind.' I can carry a tune, but I don't like that Broadway singing.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
My dream job would be starring in a lead role on a Broadway musical.
Broadway was weird.
I love country songs. I love Broadway.
Acting, I started when I was six and a half years-old, on Broadway with Kurt Weill.
I'm a weird dichotomy of nerd, sports fan, and musical theater, so I'd love to do a superhero musical on Broadway. But all the good superheroes are claimed.
I always wanted to be on a great TV show and in a Broadway show and have a CD out, and the fact that they happened simultaneously is kind of an embarrassment of riches.