The opportunity to completely become someone else and inhabit them is something that has always fascinated me greatly as an actor. With a bit of fortune, a few more of those opportunities will lie waiting for me in the future.
I think it's important for scientists to be a bit less arrogant, a bit more humble, recognising we are capable of making mistakes and being fallacious - which is increasingly serious in a society where our work may have unpredictable consequences.
Brain surgery is a fairly aggressive process. There's a lot to get through. There's the beautiful, delicate shaving first, which is really lovely. There's a wonderful ceremony of putting all the covers on, so only the little bit you're operating on is revealed. But once they make the incision and tear the skin back, the drill comes out.
I always knew I was a bit different from my friends, had too much energy, and suddenly I could get it all out with ballet.
'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
It wasn't like I felt I was on a wave. It was just so easy. It is only afterwards that I thought I really had a bit of good luck going on there with Yazoo.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
I'm told that I look like a nice girl. But, yes, I do a full contact sport, and when people ask what I do, they are a bit surprised when I say, 'A martial art, a full contact sport.'
I think I was affected quite a bit by musical and creative influences that go all the way back to my childhood.
I've made a bit of a career taking daunting projects out of Lego. I've done things like a dinosaur skeleton and stuff like that.
Weight is just not a hot button. In fact, during my life, it probably should have been on my radar screen a bit more. I look back at work photos and am shocked. Was I eating the people I was interviewing?! Good Lord, I was big.
It takes a little bit more mentally to figure out what I need to do to be most effective. The game is ever evolving. So you have to constantly pay attention to the change because you don't want to be left behind.
I grew up with an impatience with the anti-scientific. So I'm a bit miffed with our current love affair with all things Eastern. If I sneeze on the set, 40 people hand me echinacea. But I'd no sooner take that than eat a pencil. Maybe that's why I took up boxing. It's my response to men in white pajamas feeling each other's chi.
I'm a bit of a shill for the Clinton Administration, which has its perks. I'm invited to all the inaugural balls.
I am a bit of a Cheap Pete, but I do spend a fortune on books and false moustaches and practical jokes.
'Sucker Punch' was so demanding, it scared me a bit.
I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
I've often been told that I'm a bit strange. I hear that pretty regularly, but it is not how I see myself.
You take some creative license when you make a movie, and things can be a little bit different.
The more excited the rooster gets, the higher his voice goes. He's got a little bit of a Barney Fife quality to him.
I just like to stay a little quiet and just do my own thing. If I win a little more, I think I'll get a little bit more attention.
As an actor, you try to put a little bit of yourself in everything you do.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
I had worked on the markets with my father before going to university, so I possessed an apparent street-smartness, had access to a colourful costermonger vocabulary, and tried passing myself off as a bit of spiv. But my contemporaries saw through me. At heart, they knew I was as bookish and oversensitive as they were.
You know those people in life who are a bit eccentric and larger than life or a bit odd? That their realm of possibility around them is larger than somebody who's called normal? What's normal for an oddball? They could start screaming in public. That's fun to play.
Toronto is actually way more fast-paced than L.A. - I find the fast-paced nature of Toronto a bit obtrusive. In L.A., I love getting up and going hiking and going to the beach - that's L.A. culture and it's awesome and I miss it. Toronto culture is wonderful, but I miss L.A.
I think on 'ER,' my other long-running show, I had some ideas about what's going on. 'Stargate Universe,' they were kind of secretive too a little bit about what they wanted to do, but I kind of liked working this way. I like the surprises, and I like knowing just enough to work on the character.
I believe that the ability to talk to people and have them feeling engaged rather than patronised isn't something you can learn. It's a bit like being able to sing or play cricket. You can either do it, or you can't.
We journalists are a bit like vultures, feasting on war, scandal and disaster. Turn on the news, and you see Syrian refugees, Volkswagen corruption, dysfunctional government. Yet that reflects a selection bias in how we report the news: We cover planes that crash, not planes that take off.
The amygdala is one of those brain structures that a lot of people know a little bit about, and there's a definite tendency to conflate the amygdala and the fear response itself - as if the amygdala, and the amygdala alone, 'causes' fear.
Nothing changes overnight unless you win an Oscar. You move up a little bit, but you are always a little fish - just in a slightly bigger pond.
I like a scarf with a shirt; it throws it off a bit.
It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.
I've always been a bit of an orphan, because actors say, 'Well, he's more of a dancer.' And dancers say, 'No. He's really a singer.' And singers say, 'No. He's an actor.'
There's a certain logic to systems, and that logic is fairly self-evident. It's very straightforward, usually. It might take a little research, it might take a little bit of industry to prize it out, but it's there to be seen.
