My concern has always been with creating images that catch people's eyes, penetrate their minds, warm their hearts and cause them to act.
One of the most persistent images in American urbanism is that of the proverbial city on a hill, as first envisioned on these shores by the Puritan John Winthrop, via the Gospel according to Saint Matthew.
The Bible never tells us what Jesus looked like, and in the earliest surviving paintings of him, he is sometimes depicted as short-haired, sometimes as beardless, with no authoritative version winning out over the others. Yet around 400 A.D., all of the other competing images were replaced by the long-haired, bearded Jesus we know today.
One of the great things about 'Jericho' that is a parallel with 'Over There' is, in this country, we tend to forget the news we don't want to know about. We're so oversaturated with media and other images that we can turn our head a little bit.
There are a few images in 'Exorcist 3' that scared me - people crawling on ceilings, etc. - but nothing beats the original. Even the book scared me to death.
When I had my first camera - I was a child of the '80s. I remember what it was like reusing the same tapes over and over again, and having really bad quality and images kind of bubbling up from under the surface.
When we've had images that perpetuate the negative stereotype of people of color, we've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that kinda leaves us not in a great place in terms of having the wide scope of the images of people of color.
For the most part, the only contact that most Quebecers have with the world of Islam is through these images of violence, repeated over and over: wars, riots, bombs, the attacks on the World Trade Center and the Boston marathon... The reaction is obvious: We'll have none of that here!
The act of reading a story is sacred, and people build images and all that stuff.
Myth-making is absolutely necessary to create the simplified images that people live off.
David Gulden captures animals in all their wonder and intrigue, without glorifying or romanticizing them. He knows Kenya's wildlife intimately, and it shows in the depth of his images. He has an artist's eye, which delivers beauty and transport in every picture.
Samasource's largest clients are technology companies such as Microsoft, Google, Getty Images, and TripAdvisor, which contract with my company rather than a traditional outsourcing company in order to participate in 'impact sourcing' - conscious efforts to reduce poverty by moving money into places that need it.
With correction, and given the chance, 'Terra Nova' can and will deliver seasons of transcendent images and story-telling. Failing to renew 'Terra Nova' is shortsighted, as myopic as it would have been to scrap the Hubble. 'Terra Nova' is the Hubble Telescope of television.
Power doesn't just exist. It is threaded through different mechanisms of control. I'm interested in those complexities. But I want to address that in very forthright language and sometimes with images.
Immortality is really desirable, I guess. In terms of images, anyway.
Local images have one kind of reality. 'U.S. 1' will, I hope, have that kind and another, too. Poetry can extend the document.
I'm not as good a writer as I'd like to be; therefore, I like to use images to tell stories.
