When 'Catch Me If You Can' was published back in 1980, I never dreamed that it would become a bestseller, much less a major motion picture and now a big Broadway musical. What's amazing about the book is that it has never gone out of print.
I did ask Matt Damon for his autograph - and I got a picture, too!
I know dock leaves pretty well, but I should not attempt to introduce them into a picture without having them before me.
When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
When I was a kid, I used to do my homework in the living room, where there was a picture window. I was hoping that someone would walk by and see me looking very studious in my living room.
It's not like making records is terrible. Still, I do find the writing of the songs and the live shows to be the things that give you the most clear picture of what it's all about.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.
I always picture my grandkids looking at their grandfather and saying, 'My grandfather was the last or the first to do something.' There's nothing like setting goals and watching yourself get there, accomplishing that goal and putting your name to a part of history.
Given the tendency of many to picture God's realm as somewhere high above Earth - an idea that sounds suspiciously like the Greek stories of deities perched on inaccessible mountain tops - it may seem plausible to assume that astronomers have special insight. Well, of course they don't.
I always have a camera now that I've got a kid, but I don't think I've got one picture of anyone other than my daughter.
Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
The thing about living in Los Angeles and doing a lot of movies is that you get to go to a lot of premieres, and, regardless of whether or not you're a celebrity, you still get to walk down the red carpet and then have everyone sort of screaming your name. The pictures never get printed anywhere, but they are nonetheless taking your picture.
A journalist gathers information for a media outlet that disseminates the information through a broadly defined 'medium' - including newspaper, nonfiction book, wire service, magazine, news Web site, television, radio or motion picture - for public use. This broad definition covers every form of legitimate journalism.
I see my practice as picture making. Whatever is available, I use.
I think I'm a better collaborator, in seeing the bigger picture and trying to just help that, and not be so self-centered in whatever my task is, which is being an actor.
Everything rational and sensible abandons me when I try to throw out photographs. Time and time again, I hold one over a wastebasket, and then find it impossible to release my fingers and let the picture drop and disappear.
People are so different in reality from the picture created of them on TV. So it's all a creation; everything is made up.
Many early-stage entrepreneurs make one simple mistake: Describing this 'big picture' in vague concepts and words.
I don't ever want to be famous. I never want to live that life. I genuinely hate the fact that I would be stopped for a picture or an autograph all the time.
When I finish a picture I don't show it to anyone if I feel it's not good enough yet. I've learnt to listen to my partners and my friends. For me it's the biggest success if they like it.
I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.
Sometimes in films it's nice to have violins on either side, rather than on one side, so you've got more of a stereo picture with the violins. Sometimes it's good to have the basses in the middle.
One of the problems that we are confronted with is, when we decide to buy or build a home, we don't get a clear picture of what closing costs will be of that home.
On my Instagram, my boyfriend will take pictures of me, or someone else will take a picture of me, and they're like, 'What is wrong with her? She looks sick.' And I'm like, 'No I just don't have two hours of hair and makeup, you guys.'
When someone says to you, 'Oh, I don't take a good picture,' what they mean is they haven't come to terms with how they look. They take a fine picture, it's just that their image of how they think they look is not in touch with the reality.
The biggest lesson I've learned from my children is to look in the mirror at myself, not at them. I've realized that everything I've done has had an impact on them. We have to understand that they are like little paparazzi. They take our picture when we don't want them to and then they show it to us in their behavior.
I've learned that the perfect picture that I hold in my mind of what my life looks like is constantly changing, growing, evolving. I remind myself that I am exactly where I need to be in my life; otherwise, I would surely be somewhere else.
Sure, when you think 'World of Warcraft,' you might picture the nerdier set - those who may have sacrificed hygiene and sleep to reach one more experience level. But the truth is that 'WoW' is populated with players of all sorts of backgrounds, from rural housewives to NFL punters.
The easiest way to propagandize people is to let a propaganda theme go in through an entertainment picture when people do not realize they are being propagandized.
There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
I jump into the process, and the record begins to gel at some point. Then I begin to get a picture of where I'm going. But it's not always something I know on the front-end.
'Battleship' is not a film that Francois Truffaut would have made. Nor would any of those other namby-pamby European directors. Nope, this picture eschews that Continental obsession with small stories, set in quaint towns filled with pockmarked folk doing their banal things.
I had a very outdoorsy childhood. I was athletic and used to ride and do dressage. I could ride almost before I could walk. There is a picture of me at 18 months old sitting happily on the back of a donkey.
My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
