People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
I have to say, my celebrity is not a big factor in my life. Once in a while someone takes my picture. But I'm not exactly one of the four girls everyone's chasing at the moment.
Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
When they brought Roth back into the picture, obviously I didn't go along with that too well.
Ideally, I'd like to go right back to getting $7 million a picture and being the headliner. That's probably not going to happen.
I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
Frank called me one day and said, 'I have an idea for a movie, why don't you come over and I'll tell you?' So I went over and we sat down and he said, 'This picture starts in heaven'. That shook me.
Some of the best songs that I know are the ones I haven't written yet, and it doesn't even matter if I don't ever write them, because it's only small potatoes compared with the big picture.
Gaudi was surrounded by the rich folk of Catalonia, I've seen a picture of him with people wearing elegant hats and drinking wine. But that's not like me - I'm on my own.
What I've learned is that the most troublesome people don't tell you 100% of the story, and keep some facts to themselves. They just don't give you the full picture, and that's very worrisome to me.
I don't think about the gender thing very much. But when I speak at schools, I've had female students say to me afterwards, "I never envisioned myself being a director, since I've never seen women do it." But after seeing me, they can picture themselves directing, so maybe we'll see more female directors.
A great deal of my mail comes from fans of the 'Oz' picture - fans of all ages. The scholarly, the curious, the disbelievers write and ask how? why? when? what for? did you fly? melt? scream? cackle? appear? disappear? produce? sky-write? deal with monkeys? etc., etc., etc.
If you're trying to avoid one move that you don't think is going to work out, don't then settle for a different move that maybe doesn't check all the boxes. Be true to the philosophy and understand the bigger picture. There's always another day to fight.
Every girl, without fail, loves to look at a sexy picture of herself.
Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood.
I have to give people time to take a picture, and sign autographs. I have to be generous to people. It is in my heart. Without that, I would not be Manny Pacquiao.
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?'
My friend Quincy Jones says we won our first Grammys together in 1963. I have no recollection. I don't even remember the room. When he showed me the picture, I remembered what I wore. But it's like awards don't mean anything.
For me the most important thing to do in a selfie is to have an opinion and to say something with the picture. Don't just take a picture of yourself like, 'Here I am.' It's what are you thinking? Are you happy? Are you angry? Do you like it? Do you not like it? Think an emotion and apply it to your eyes.
I try to find the picture, not create it.
I prefer every time a picture composed and painted outdoors.
With science and reason throughout history, what people believed turned out to be false. So I like to keep an open mind to all perspectives and learn and become more fully realised as a person. I just feel we're never going to know what the full picture is.
Get to know the job intimately that you're applying for. Don't just read the job description - study it and picture yourself performing every task required of you. When you interview, framing your responses so that you reveal your significant knowledge about the job gives you a massive advantage.
It was just something - I didn't agree with what the flag was representing at this time, and you know, if you look at the original picture where people addressed it, I was trying to sit behind the coolers and out of the way, 'cause I didn't want to interrupt anybody else's right to stand and hold attention to the flag.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
It's harder to get your second picture than it is to get your first one.
As a boy, I devoured comics but never saw what we now describe as a picture book.
When you first meet an investor, you've got to be able to say in one compelling sentence - that you should practice like crazy - what your product does, so that the investor that you are talking to can immediately picture the product in their own mind.
Red carpets seem so glamorous, but you're really just standing there sweating and worrying your hair is going to fall. And in the end, people are only going to see one picture of you. You just smile for one second and then you walk over to the side and check your phone. It's pretty weird.
My process of working is that I don't create a picture, I find it.
Major motion picture studios spend hundreds of millions of dollars trying to capture some of whatever it is that makes our little 'Sharknado' movie globally popular.
When you do a studio picture, all the paperwork and legal stuff is already taken care of!
Europe's fragmentation puts the wider historical picture beyond reach.
I wanted to be an Ailey dancer. I would watch Alvin Ailey videos over and over, and I'd picture myself doing that. I was obsessed with it.
