Remember folks stop lights timed for 35 mph are also timed for 70 mph.
With COBE, we can see things before the lights came on. While we probably will not rewrite the book of cosmology with this mission, we will write another chapter.
I moved to New York last year and I love it. It's a huge change and I've always wanted to spend time there. It's like a more intense London, and everything's up a few notches. The lights are brighter, the pace is faster and the food's better.
As a child, I felt that Hallowe'en was a time when creatures of the night suddenly came to life - we would turn off all the lights in the house and let flickering candlelight conjure up scary shadows and create the effect of imaginary figures lurking in dark corners.
A lot of author events are basically hour-long classes in entropy perched on bad seating under bright, hard lights, with - if you're lucky - bad Chardonnay and cheese on a stick waiting for you at the end of the ride.
I've really learned over the years how to control my adrenaline and let it all out when they shoot the gun versus letting the crowd and the lights and the camera get to me.
When we're ready to do the dress rehearsal, we'll rehearse in the dark. No lights. The reason why I do that is because I don't want the band to rely on me for anything. 'Cause anything can happen - I might stop singing or unplug the mic, just so everybody knows: Keep going, no matter what.
I am going to notice the lights of the earth, the sun and the moon and the stars, the lights of our candles as we march, the lights with which spring teases us, the light that is already present.
I say what's on my mind and have a good time. I try to give people a show. It's all about giving people a good time once you get out under those lights.
I'm a portrait photographer that's used to shooting celebrities, and I usually need time and all kinds of lights and a studio to set up my shots.
A woman has two smiles that an angel might envy, the smile that accepts a lover before words are uttered, and the smile that lights on the first born babe, and assures it of a mother's love.
My best birth control now is just to leave the lights on.
'Out of Sight' is one of my favorite films ever. Love Steven Soderbergh. 'Goodfellas' was a huge influence on me in terms of the use of camera. 'Black Orpheus,' a beautiful love story that very few people actually have seen, and that was an influence on 'Beyond the Lights,' too, in terms of the look of the film.
We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
That part, that internal dialogue that has a lot of ups and downs and darks and lights and stuff - that, I think, is where music comes from. I think the face that you put on when you're talking to people and making small talk, I don't think that's where music comes from.
The way I see it, I can either cross the street, or I can keep waiting for another few years of green lights to go by.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
I'd never really considered film. If I'd thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
Yes, I was the child who would sneak into her closet and read 'Nancy Drew' for hours after the designated 'lights out' time of night.
Some bands blow it before they even play. The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.
I look at 'Friday Night Lights' as one of my all-time favorite series finales, and that is what you want. After all the roads you've traveled with these people, you just want to know that they're going to be happy. I'm a big believer in shows that make that choice.
Generally speaking, rural drivers are a much better behaved species than city drivers. I'm not sure whether they're intrinsically this way, or there are just fewer opportunities for them to do behave badly. You can't go around running red lights if there aren't any red lights to run.
Brits and Americans have hundreds of different phrases for the same thing. Luckily, it's usually a source of amusement rather than frustration. A flashlight by any other name is still a torch. My personal favourite is 'fairy lights,' which we boringly refer to as 'Christmas lights.'
I've always loved the rush you get from watching a really scary movie, but I never watch them alone. It's fun to turn out the lights and scream and clutch someone's hand and spill the popcorn all over the place and hide under each other.
Watching a peaceful death of a human being reminds us of a falling star; one of a million lights in a vast sky that flares up for a brief moment only to disappear into the endless night forever.
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
I never wanted to just press play on some DJ set and let the lights do all the work. I value old-fashioned performance a little more than that.
I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.
In the hierarchy of public lands, national parks by law have been above the rest: America's most special places, where natural beauty and all its attendant pleasures - quiet waters, the scents of fir and balsam, the hoot of an owl, and the dark of a night sky unsullied by city lights - are sacrosanct.
Ever since I dated a woman, I know what it is to grab a curve on a woman's body. Skinny's not fine when the lights are low.
Being home alone at night makes me a bit nervous. If I'm at home alone, I have to sleep on the sofa - I can't face going to bed. I'm there with the TV on and all the lights on. I'm not very brave about anything in life. In tennis, yes. In everything else, not very.
Anytime I float by a window, I can tell whether the outside is lit or if it's dark outside. When we're working it's just day for us with the lights on inside.
A single Dallas Cowboys football game uses up as much electricity as the entire nation of Liberia in those same three hours - one reason the globe, if looked at from a certain height, is a cluster of lights surrounded by enormous patches of dark.
I was stranded in Disco. I went to dozens of darkened places with enough flashing lights to drive the average person mad. I felt lost in the pulse of sheer panic.
TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.
Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.
