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As soon as you put something to bed like the 'Women' book, you're never finished. There were portraits of people that I wanted to photograph - it's an endless subject.
I personally don't need to see a story about a person that starts up miserable and ends up worse.
There's a discipline. When you take someone's portrait, you don't have to take 50 photographs, just find that one so that when you release the shutter, that's the image that you took.
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.
Your aim as a photographer is to get a picture of that person that means something. Portraits aren't fantasies; they need to tell a truth.
My wife Mariana is a good photographer too and, like me, she just picks up a camera and takes a picture when she sees something, rather than looking too deeply into it.
Seeing Shakespeare in the Park, for me, it's just this side of feeling like you've witnessed some kind of magic. It's this spell that you're under, to be part of that!
There's nothing I like better than talking to kids, just sharing the music with them. To relate to them, you need to play songs they're familiar with.
There is a time to speak and a time to listen, and sometimes people need to shut up.
