I'm going to keep thinking about topping myself every time. I can say very confidently that Alice In Chains have done that on every record. It surprises me. I don't go in there expecting that, but I do go in there hoping for it.
I go through a thousand songs to find ten for a new record.
Viacom's results for the first quarter put the company on a fast track for another record year in 2004.
Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
If people get to the end of the record, then that is a treat.
I think I'll take my record of 13 goals to the grave.
I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.
I thought I'd do everything on four-track, and then I'll record every instrument myself in a studio, and then I'll have a solo album released by spring.
If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
If I hear a conversation and somebody says something intriguing, my first thought is, 'Is that a song?' I write all year long, and at the end of the year I pull these forty or fifty things out and say which of these things do I want to record.
There are no record companies in Waikiki.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
When I record an album I'm trying to get as close as possible to that perfect moment.
Having a track record to live up to and the history of successes had become a hindrance. It becomes harder to break out of what people expect you to do.
Being a musician, especially at the major label where you work for so long, it becomes a cycle. Write a record, make a record, tour. It's just this cycle, and I don't think there's any life built into it with time to assimilate what's going on in front of you and what's going on in your head.
It has been extraordinary, wonderful, I've been three feet off the ground since I made that first record.
My fans don't feel like I hold anything back from them. They know whatever I'm going through now, they'll hear about it on a record someday. They'll hear the real story. There's a little bit of lag time. It's not as instant as going on a gossip blog. But it's much more accurate.
My whole relationship with Bowie started when I was 13, and I bought a copy of 'Aladdin Sane' when I didn't have a record player. I had this record for a year before I could play it, and it was the image - not the sound - that I was attracted to. I just saw this image and thought he was my cousin.
But trust me, if I lived in the '80s, I would definitely be the one going to the record stores.
Every record we do, we do one song we didn't write.
The movie business is very difficult but the music business is just impossible. So I'll play in bands and record and play songs with other people, but for me it's a form of expression that all I need is me. I don't need cameras or agents, I can just have a piano and sing and feel totally verified.
If you have children and want to give your future self a present, record their laughter as toddlers. When they're older and away from you, you might find that clip in the middle of the day, and it will transport you as surely as if you had a time machine.
When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.
I think my issues with the Internet surround people who become 'overnight celebrities.' It's like, really? You put something on YouTube, and they Auto-Tuned it, and now you're a star, and you have a TV show, and you have a record deal.
I wanted to play drums, and I got a set when I was 14 and just started to play in the house, to the stereo. I liked Ringo Starr, of course. And Sandy Nelson. I had his record, 'Let There Be Drums,' and I'd play along with it.
Making a record with 'Depeche Mode' is not a simple process. It's quite complicated and long. We have the luxury of time. I'm not sure that's such a good thing when you're being creative.
People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
President Bush has a track record of making the right decisions when it comes to national security.
The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.
It has now been over 7 years since Congress last raised the minimum wage to its current level of $5.15 per hour. Since that last increase, Congress's failure to adjust the wage for inflation has reduced the purchasing power of the minimum wage to record low levels.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
But instead, Democrats are so bent on seeing Republicans as a bunch of angry, right wing, intolerant, unreliable extremists that they have a track record of missing the mood of the country, especially the sentiment of people who don't wake up to 'The New York Times.'
If you look at a record under a microscope, the high frequencies are short jagged edges... and the low frequencies are long swinging ones are deep bass sounds. When it cut it at half speed, you're getting more of those on the record.
Every business is there to make money, and making a record is business. This tends to be forgotten by many.
