My original project was called 'The Wheel'; there's a record out there called 'Desire & The Dissolving Man,' 'The Memory Of Loss' as well. There's also 'Falling Faster Than You Can Run,' also 'Closer'; all of that's on our website.
I'm really interested in the record industry and the artists and the problems they're having.
Yes, we record practically everything on Pro Tools.
Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection.
It's impossible to make a record when you're ill because it affects how you listen to things. You can't make decisions. It all sounds terrible.
I have been fascinated by Dickens worshippers who strenuously deny that he did anything wrong in relation to his wife, even though the record is clear that he did.
When a record company looks at me I'm very hard to market, I don't really fit anywhere, It's hard to get me on the air, and I'm hard to demography, but! because of that I'm not subject to trends like you pointed out.
The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!
If I hear a record once, I usually never listen to it again. I rarely listen to music - unless it's Billie Holiday.
I like it when two sounds complement each other but are way different on a record.
Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.
My record is, far as I know, unimpeachable.
There are weapons that are simply thoughts. For the record, prejudices can kill and suspicion can destroy.
Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
It's a trip to have a Greatest Hits record. It's a trip.
You can get so many sounds out of one record. Every record can be used in some way.
The most flattering thing I hear is, 'I didn't think I liked country music before I heard your record.'
I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.
The whole process of this record was an education for me as a musician.
We're probably doing better business than we thought we would do especially considering the disappointing way the record company has handled the album.
I have a proven record as an effective legislator, which I believe is my greatest asset.
How many emperors and how many princes have lived and died and no record of them remains, and they only sought to gain dominions and riches in order that their fame might be ever-lasting.
I am passionate about finding undiscovered and talented artists. I want to help those artists get to the next level and provide existing artists with a new way to reach fans. I wanted to partner with the Cutting Edge Group because they share my vision and have a proven track record in innovation in the music business.
When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.
Composers today get a TV script on Friday and have to record on Tuesday. It's just dreadful to impose on gifted talent and expect decent music under these conditions.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
For 'Narrow Stairs', the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I never thought that Trump was going to run for president, but I was very firmly on record, including in the book that I wrote before, 'Adios, America,' as saying that Republicans should stop wasting their time with these novelty candidates.
We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.
We've gotten through a lot of tough times, and we're going to keep working to make them better. I wish the record was better.
The pool is terrible, but that doesn't have much to do with my record swims. That's all mental attitude.
It is the mass dream of inverted self, populous with fears overt and secret, that forms the continuous but gossamer thread upon which are strung as phantom beads all civilizations from the remotest past of record to that of the present day and hour.
South Africa had a long record of studies in prehistory, going back to the end of the last century.
In 2011, agricultural exports hit a record high and producers saw their best incomes in nearly 40 years.
I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.
