To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
Any artist that's involved in their work is inevitably going to have a focus in what they do.
It's because of 'ER' that I've gotten the opportunity to get the work.
One should take writers' valuations of their own work with a pinch of salt: they are likely to rank them differently tomorrow.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
I had to work on my own to establish myself.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
Creativity is down the tube. And people give a lot of lip service to individuality. I know they all appreciate it, but they all say they would like to do it, but they don't want to work at it, and it doesn't come out of the sky.
It's so easy to use tired, shopworn figures of speech. I love using long, fancy words but have learned - mostly from writing my biography of Winston Churchill - that short, strong words work better. I am ever-vigilant against the passive and against jargon, both of which are so insidious.
Basically, I viewed any work of art as an imposition of another person's taste, and saw the individual making this imposition as a kind of dictator.
In 'Blood Work,' they made choices I wouldn't have made, but I'm not a filmmaker. I took the money, and they told the story.
The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
I love the Web, but the basis of my work is going through the physical books. When you go to the library, you see other books around on the shelves that you never knew existed. You can flip through a book and see the whole outline of it.
I had been here five years already, training very hard, learning about the systems, the shuttle, the station systems. But, everything really became real when I started to work with them.
To pursue a so-called Third Way is foolish. We had our experience with this in the 1960s when we looked for a socialism with a human face. It did not work, and we must be explicit that we are not aiming for a more efficient version of a system that has failed.
There is a vast world of work out there in this country, where at least 111 million people are employed in this country alone - many of whom are bored out of their minds. All day long.
I'm in so many Charles Bronson films because no other actress will work with him.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
Sondheim is my god; I love the man. I learned a great deal about writing from his work, his lyrics, and his structure.
And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.
No good work is ever done while the heart is hot and anxious and fretted.
Quite a lot is required of writers these days in terms of, if not promoting the work, then being a representative of the work. It's a difficult thing, really.
Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning.
As much as I miss the work, I don't miss NBC. I don't miss being there. It was just the wrong atmosphere for me.
Governments, the investor and business community, and civil society organizations and public representatives need to work together to ensure the necessary foundations are in place to align private finance to guarantee sustainable and equitable development and poverty reduction.
I think high self-esteem is overrated. A little low self-esteem is actually quite good. Maybe you're not the best, so you should work a little harder.
Perfect freedom is reserved for the man who lives by his own work and in that work does what he wants to do.
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.
I'll watch golf while I work out. I'm your average golf fan.
Use gentle means before you come to extremity, and whatever lesson you work him, and never take above half his strength, nor ride him till he is weary, but a little at a time and often.
A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.
It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.
I can tell you that the Canadian intelligence and law enforcement agencies have been providing outstanding co-operation with our intelligence and law enforcement agencies as we work together to track down terrorists here in North America and put them out of commission.
The visible things that have come from the group have been the Plan 9 system and Inferno, but I hasten to say that the ideas and the work have come from colleagues.
Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.