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I've been a member of the Labour Party sixty five years, and I remain in it, but I think it's all about campaigning for justice and peace, and if you do that, you get a lot of support.
I owe a large part of my success to Joe Brown, who helped me both as a player and a person.
In our culture I think most people think of grief as sadness, and that's certainly part of it, a large part of it, but there's also this thorniness, these edges that come out.
I'm not really sure what people's preconceived notions are. I don't look at the gossip websites - it's unhealthy and I think it's a large part of what drives people in L.A. crazy.
I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.
I love creating that community and writing about that place, because I think, in some ways, Bois Sauvage is like the DeLisle of my past; it's like the DeLisle of the '80s that I can never return to. So in some ways, when I write about Bois Sauvage, I'm writing about a home that I've lost.
I think people have to choose between living with contradictions or painting themselves into a corner. I have a lot of contradictions.
I couldn't have left my career as an actor on a better note than to have done a cameo in the Lost In Space movie. Doing this part is the highlight of my career. What a way to leave the profession!
I think the most satisfying part about filmmaking is seeing a production in full bloom. When I write, I write in isolation.
