The way I write my shows, every character is its own organic thing. No character has a life at all until I see it played by somebody.
I see my music as Emotional Therapeutic Pop music that bleeds into loads of different genres.
I have a talent for happiness. I look with the eyes of a painter, and I see beauty.
In those projects with Sting and Josh Groban and people like that, I see a very interesting effect: their fans coming to my classical concerts, people who've never been to a classical show at all.
Well, I'm a consumer as well. I go to the movies with my popcorn and believe everything I see.
Throughout the country, I see the same design problems and solutions over and over.
I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided by interior voices and bringing us out of a long tunnel to new blueness.
I'm not sure there's a difference between books that affected the way I see the world and books that influenced me as a writer.
It is no good getting furious if you get stuck. What I do is keep thinking about the problem but work on something else. Sometimes it is years before I see the way forward. In the case of information loss and black holes, it was 29 years.
The people that I see on the street, they treat me more as a human being and not just an icon or a football player.
If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music.
I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.
Everywhere I go I see increasing evidence of people swirling about in a human cesspit of their own making.
When I look into the crowd, I see young and old, black and white - it's amazing that I'm able to connect with so many different kinds of people.
I'd always want to decorate my bedroom. I needed visuals and to be stimulated by things. I'm still like that. It's the way I see the world.
For better or for worse, I've watched people die in front of me. I see how they are in the end. And they're not cynical. In the end, they wanna hold somebody's hand. And that's real to me.
I think technique can be taught but I think the only way to learn to write is to read, and I see writing and reading as completely related. One almost couldn't exist without the other.
Me, I look in the mirror and all I see is this Jewish kid from Queens.
Prime Minister, I see you've already mastered the essential craft of the European politician, namely, the ability to say one thing in this chamber and a very different thing to your home electorate.
I see the great continuities in New Zealand history as being decency and common sense and up until now when we've confronted these things we've been able to talk them through, and I'm sure we will with this issue as well.
When I talk of primordial innocence, I hear it in Sufi music with the nay flute. I see it in Coptic icons, in most traditional art, particularly art of the American Indian. I find the texts extraordinarily beautiful and very childlike and very simple. I've been particularly interested in American Indian texts.
I tell it like it is. I tell it like I see it. I tell it like I envision it. I tell it like I live it.
I'm like Bush, I see the world more like checkers than chess.
It's like Scott Wolf, I never thought he looked like Tom Cruise until somebody said it and now that they've said it, I see it every time I look at him!
Everyone tries to compare cooks to rock stars. I see more comparisons to the fashion world.
Any film I see at two o'clock in afternoon with my mother seems to cast a strange spell that means we both come out sobbing.
Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.
I routinely oscillate between exultation and despair. Maybe at the end of the day I feel pretty good about what I've written, but the next morning I see that it's crap. Then I start again - make a new outline, do some more research, try to rethink the whole question.
I see the level of sophistication and knowledge about business growing dramatically. Several decades ago, only a few companies thought about international business.
I see my path, but I don't know where it leads. Not knowing where I'm going is what inspires me to travel it.
The first thing that I see in a woman are her eyes. Sorry, it sounds shallow, but eyes say a lot about a person.
You need a pulse in a film. If I see a film that doesn't have rhythm, it's like listening to music that doesn't have rhythm; it doesn't really work.
I look at myself, and I see a Spanish person who's trying to be understood by an English-speaking audience and is putting a lot of energy into that, instead of into expressing himself freely and feeling comfortable.
If faith produce no works, I see That faith is not a living tree. Thus faith and works together grow, No separate life they never can know. They're soul and body, hand and heart, What God hath joined, let no man part.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
I write across genres so I see them, more often, as complementary instead of separated by boundaries.