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You know what? I've won the Tour de France, and now I feel ready to talk about it.
If I feel physically as if the top of my head were taken off, I know that is poetry.
If you don't generate tension in the film to begin with... you can't really make a purse out of a sow's ear, you know.
When you're promoting a film it's really interesting trying to gauge what people think about it.
I feel very, very lucky to have been involved with a project that's gone on as long as 'The Closer' has. You really don't get to do that in this profession.
Oh, you know, I think it was definitely a little pressure, to remake something like 'Fame'.
I think music is what takes the experience off the screen into your soul, into your head.
You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change; you change.
It's like a blind turn on a highway: You can't see what's coming, so you don't really know how to prepare.
