Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?'
The whole thing with VR is that it doesn't matter, local versus networked gaming. The goal in virtual reality isn't to have people sit in the same room with headsets on.
I would encounter W. E. B. Du Bois and the term double consciousness. When I read it, I thought about sitting in my mother's employer's family room, watching my mother clean while I waited for her to finish so we could go home.
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
Everything I've designed is intended not to match perfectly but to sit together in harmony, to add flair and personality to any room.
Even as a 10-year-old, I remember trying to explain to my mother and stepfather how upset and frustrated a messy room made me. But they just couldn't grasp it. They wanted me to be playing with baseballs and frogs while I wanted to be scouring garage sales.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!
Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
I just want to sit in my room and write books.
I always consider Shakespeare like a huge room. I mean, you open the door, and you can go anywhere.
I see the role of the writer as creating a room with big windows and leaving the reader to imagine. It's a meeting on the page.
I am one of the graduates of the William Morris famous, famous mail room from the '60s.
I loved being in the room with Mamet as a director - he is the most generous, funny, delightful person to work for every day.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
I was at the end of the studio system so when I walked into movies, I had a magnificent suite in which I had a living room and a kitchen and a complete makeup room. I had everything just for me. With the independents, you're kind of roughing it, literally.
When it comes to cooking pasta, the first essential is to make sure you have a big enough pot: it needs room to roll in the water while cooking.
No one is a plain white room. I hate going into a home that is done to the nines but has nothing do with the homeowner - no knickknacks, no art that has anything to say about the person who lives there.
It's impossible for me to go into a room or look at a location without a part of my brain photographing it - picking the best angle or looking at the way the light hits.
The first two projects I did out of my dorm room were mock film soundtracks.
From the ages of 12 to 35 my body, not my mind, was my primary currency. My ideas, my humor, my curiosity - none of those were valued as much as my body, which preceded me into almost every room.
Professional politicians will say anything, and they're always careful to leave themselves room to turn around and do the other.
Yes, sir, I was in the processing room watching them actually process the film.
I was doing shows and flying economy, and nobody ever fed me. Or I'd be staying in hotels so cheap that by the time I'd get in, there wasn't any room service. I didn't eat for a long time. Not on purpose. You'd be on shoots with bad food or get on a plane, and the food would be so disgusting you couldn't eat it.
My brother and I would wrestle in my grandparents' living room; that was our spot.
I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
When my father became vice president, I was a sophomore in high school. I'd do things like go on a run with my soccer team and purposely dodge the security van. Then my parents compromised with the Secret Service when I went to college. I just had a panic button in my dorm room, so if I pressed that, they'd be there within 2 or 3 minutes.
Animation is very singular. Like, even the 'Toy Story' movies. People will go, 'Oh, gosh, you're so lucky, getting to play opposite Tom Hanks!' And it's, like, 'It may have appeared to be that, but we were never in the room together.'
Put two Yankees in a room together, and in an hour they will each have gained ten dollars from the other.
I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.
I spent about five years stuck in a room between the ages of 16 and 20 while I wrote the first book, which came out when I was 21. I should have been out playing tennis.
I guess that's one of the benefits of being sick. Your wife lets you have a big-screen TV in the living room.
We see ourselves in the House as sort of the engine room of the ship of the Republican Party. We're down in the bottom... in the bowels shoveling coal into the furnace. And, by the way, there's nothing wrong with coal.
In the 'Angel' days, all there was was a community that was like a chat room. If you were looking for feedback, you had to look for it.
I'm always in a hotel room, and I spend a good portion of my day setting it up so it's comfortable for me. Whether that means making paths out of towels so I don't touch the carpet or removing the comforters or just not touching things. Even sitting on a plane with a bunch of other people - it's really hard for me.
We recorded several of Kenny's songs in the living room of my home.