Brothers don't necessarily have to say anything to each other - they can sit in a room and be together and just be completely comfortable with each other.
The really great writers are people like Emily Bronte who sit in a room and write out of their limited experience and unlimited imagination.
You really have to understand this isn't a business where you sit in the back room and do calculations - you have to be very concerned about employees and customers, because that's really what's going to bring you success.
When you take a character seriously, there's more room for comedy because you're not aware of how absurd you are.
I don't know if it has set in or not. Honestly, it's crazy. It's such an amazing honor. I remember thinking back to being in my room waiting for the call to see if I got the part. It's like winning the lottery. I'm proud to be a member of such an amazing cast - that's the best award of all.
I didn't write this song. Someone was talking in a room. I just wrote down everything they said.
I've been in a very male-dominated business for decades. I found, particularly early on, that there's plenty of room for passion, but there's very little room for emotion.
In all honesty, if somebody asked me the secret of auditioning for Americans, I don't know. Often, I do what's called self-taping for America. I go over there quite a lot to sit in a room and do stuff in front of people. You feel like a performing monkey. It's bizarre.
I wrote this script in 2003, when I was a humble college student, sitting in my boxers and writing in my dorm room. And I came up with the idea of writing an action-based 'Snow White,' with this kind of Huntsman character as kind of a way in. So, that's something I'm sort of proud of.
No one knows what to say in the loser's locker room.
It had all the earmarks of a CIA operation; the bomb killed everybody in the room except the intended target!
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
Interesting things come your way but as you get older, your lifestyle changes. I don't want to travel; I don't want to be in a hotel room away from my family.
Mucinex were like, 'Would you like to be the Mucinex man? You sound like you're sick right now'. In each spot, they give me a little bit of room to do something strange. And in a world of fractured mediums, where there is no zeitgeist, and you get your comedy from your phone, it's all content.
Each of us has an inner room where we can visit to be cleansed of fear-based thoughts and feelings. This room, the holy of holies, is a sanctuary of light.
15 people in a room looking at you with no clothes on - that's a little weird.
Sharing a room with one person is worse than sharing with six, and sharing with six is in some ways worse than sharing with sixty.
I mean, the sound of an amplified guitar in a room full of people was so hypnotic and addictive to me, that I could cross any kind of border to get on there.
As a standup, I try to change the world. As an entertainer, I try to entertain. And as a lesbian, I try to pick up the prettiest girl in the room.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
I don't understand why people expect tips. In hotels you order food in your room, and it's already more expensive from the room service menu, so it's a cheek to expect a tip on top. I do sometimes reward good service, but it should be at my discretion, and I'm not going to be held to ransom.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
You don't know what the Chinese expect in the way of beauty. The presentation is just a farce. You come into a room filled with 50 people and they don't talk to you. There's very little interaction.
Corey feldman and I did sneak into the screening room one day during Lost Boys.
Confidence has nothing to do with what you look like. If you obsess over that, you'll end up being disappointed in yourself all the time. Instead, high self-esteem comes from how you feel in any moment. So walk into a room acting like you're in charge, and spend your energy on making the people around you happy.
I love my kitchen. For Manhattan, I have a rather decent-size kitchen, and it has an opening that gives out to the dining room, which has a window with a view of the city and in the distance the Statue of Liberty.
I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
I remember a big meeting with the hosiery trade in Harold's ministerial room.
You couldn't get me to go travel around and sit in a hotel room again. I have no interest in doing that. So everybody's happy. I am, at 74. Some people like doing it, but I never was much for that, anyway. It's a lot of work. So the only thing I miss about all of it is the camaraderie of the tour, but that doesn't offset the rest of it.
My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out.
Going to a museum is one of those inexplicably tiring things. You're not actually doing anything, more shifting your weight from room to room than walking. And yet it is one of the more tiring things one can do, no matter how thrilled you are by the exhibits.
Journalism can go right up to the door of the room in which the decisions are made. A novel can go inside the room - and inside the character's heads.
Good manners is the art of making those people easy with whom we converse. Whoever makes the fewest people uneasy is the best bred in the room.
If we are to survive, we must have ideas, vision, and courage. These things are rarely produced by committees. Everything that matters in our intellectual and moral life begins with an individual confronting his own mind and conscience in a room by himself.
I'd rather have a part where you walk into a room and you leave. That's perfect for me.
There's only one effectively redemptive sacrifice, the sacrifice of self-will to make room for the knowledge of God.
