One of the things that seems absolutely clear to me about werewolves - with their canine makeup - is that they would be dogs, as it were.
I don't think we'd be the business that we are today if we were spread out in the suburban areas.
My mother was very, very critical of my early efforts. She was, like, 'At your age, the Brontes were doing X, Y, and Z.'
There were so many people who wanted me for their films.
Sometimes a person has to be dead a while before people can appreciate what they did when they were alive.
Initially, before the modern state of Iraq was created, there were three separate provinces here: a Shiite in the south, a largely Sunni one in the middle, and a Kurdish one in the north.
I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
It's kind of weird. You can have hits, but it's hard to sustain a career. I went through that period where I didn't have a lot of hits, although people were still buying the records.
Liturgy and worship were never meant to be confined to the cathedrals and sanctuaries. Liturgy at its best can be performed like a circus or theater - making the Gospel visible as a witness to the world around us.
I don't think that much about my relationship with my mother and what it did to me. I sometimes feel terrible regret about her, what her life must have been like. Often, when I'm enjoying something, I think of how meager her rewards were and how much courage, in a way, she needed to go on living.
In the early years, I would say GoPro's products were not that impressive.
I know there is something out there, and like most people, I tend to believe in it more when things go bad. But I'm not like Shirley MacLaine, who probably believes we were past lovers in another life.
When I was 18, I went to the Soviet Union. I kept hearing that America was planning to bomb them - lots of bombs were going to come down on these people. I went there not knowing anything, except that I thought the whole thing was stupid and that I wanted to see who these people were that we were going to bomb.
At that time, the academic orientation was rather technical contrary to that of the university, where art theory is very important. The teachers were renowned artists and among the best of that time.
High-concept one-liners were huge when I got my start in the film industry.
When my daughter was young, she thought all electronic signs were mine.
The spoiled superstar brat wouldn't get far in Oklahoma City. We're very value-conscious. Our city was settled in a land run. Those 10,000 people were desperate for a better life.
I was lucky enough that my parents knew about World Cup skiing, so since I was really little, we were watching World Cup winning runs.
I spent a lot of time in the White House in the public areas where reporters are allowed to go, but I spoke to people about the private quarters as well. Some of the things I learned were small, novelistic details. For example, the fact that there were still pet stains on the carpets from the Bush cats when the Obamas moved in.
I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful.
Health-care costs when I got into the industry in '88 were 16 percent a year inflation. When I got out in 1997, they were less than 1 percent.
Everyone loved my father. He was so nice that people took advantage of him. We were lower middle class. I slept in the hallway on a cot that rolled away during the day, and my younger brother and sister slept in my parents' room. My goal as a kid was to someday have my own room and to own a car - and I wanted to be able to take care of my parents.
My parents were very active in the Civil Rights Movement. My father was a Student Nonviolent Coordinating Committee (SNCC) worker; my mother was a secretary with the Panthers.
I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.
I grew up on the north side of Chicago, in West Rogers Park, an overwhelmingly Jewish neighborhood. When I was 13, my parents moved to Winnetka, Illinois, an upper class, WASPy suburb where Jews - as well as Blacks and Catholics - were unwelcome on many blocks. I suffered the spiritual equivalent of whiplash.
When you do comedy, you can't please the world, although I'd like to think that most of my audiences were on my side.
People who were gay were pitied and ridiculed by my parents - they had no modern sense of people being allowed to be who they were.
In school, I learned about artists and how they were free to express themselves. I was allergic to conformity, and the lifestyle attracted me. I wanted to express myself in a way that slammed people up against the wall.
Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
Doesn't anybody ever want to talk about anything else besides 'Star Trek?' There were 79 episodes of the series; there were 55 different writers. I was only one of them.
An Ebola particle is only around eighty nanometres wide and a thousand nanometres long. If it were the size of a piece of spaghetti, then a human hair would be about twelve feet in diameter and would resemble the trunk of a giant redwood tree.
If you go back to any period in India's history, all the hard decisions this country had to take were taken when the Congress was in power.
I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
I grew up in a conservative small town, and the gay characters I saw on TV and in movies when I was growing up were all flamboyant and obnoxious and sometimes kind of annoying.
My wife married me when the odds were that I'd be a house-painting bouncer for the rest of my days. She has stuck by me through that with nothing but love and support.
The early parodies that talk-show people did of rock n' roll in the '50s were terrible. They didn't know it, they didn't like it - and that's a lethal combination.