I remember trying to be funny, and both of my parents were terribly funny. My father was also very dignified, but my mother was an absolute ding-a-ling, a ripper.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
Girls, to me, growing up were very, very petty and didn't want me to succeed and didn't want the best for me.
You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's thinking was volatile, I mean, did not stay locked into a pattern of concepts that then defined his subsequent necessary behavior, whereas Pound did.
When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.
The '60s were a time of great change in American music.
I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.
Who were the fools who spread the story that brute force cannot kill ideas? Nothing is easier. And once they are dead they are no more than corpses.
When Glossier launched in the U.S. back in 2014, it felt small - but in a good way. We were able to introduce ourselves locally, start a community, and build something special together.
I do not deny my German identity. But I also feel Swiss. Of my eight great-grandparents, seven were born Swiss. I have been living in Switzerland for more than 50 years.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
'Sunrise Sunset' is a letter I wrote to a girl I was once with who I really thought I was going to fall in love with. We tried to make it work but always had trouble maintaining a real relationship because we were both so caught up with work, life, and everything else that at the time seemed like it was the priority.
There was an incident in Argentina when I was making a film called 'The Warrior and the Sorceress.' There were, like, 40, 50 sword fighters and martial artists on the set, and one of the sword fighters challenged me. I said, 'Look, you don't want to fight me. Nobody wants to fight me. You gotta be crazy to want to fight me.'
My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show.
Bonnie and Clyde grew up in absolute poverty. They didn't go to school or have any money; the only way they could figure out how to get ahead was to steal. The banks were foreclosing on everyone's homes. I think a lot of people will be able to relate to that struggle.
There is a lot of interest among the descendants of Holocaust victims in getting back artworks that were looted by the Nazis, for getting at least some form of compensation and closure for the horrors visited upon their families.
In 1979, just after I became governor, I asked Hillary to chair a rural health committee to help expand health care to isolated farm and mountain areas. They recommended to do that partly by deploying trained nurse practitioners in places with no doctors to provide primary care they were trained to provide.
In high school, I didn't realize that science or engineering were male-dominated fields. When I got to college, and I was one of two girls in a 50-person class, that's when I realized that this was a unique decision I had made as a girl to go into engineering.
My wife and I were on our honeymoon in Turks and Caicos, in the middle of nowhere, and I'm sitting on this deserted beach, and I see one lone person walking along the shore. He walks right up to me and says, 'I love 'Laser Cats,' and then just walks away.
Back in 1993, I was studying in Delhi, and I had a girlfriend. I had never touched a girl before that in my entire life. One day, I decided to go out with her to a garden. We were sitting beside each other, and I just glanced around to see if anyone was looking at us, and I put my hand over hers. I thought love started in this way.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
Over the years, I've become barraged by comments from people, such as, 'Beam me up, Scotty!' and I became defensive. I felt they were derisive and engendered an attitude. I am grateful for the success, but didn't want to be mocked.
I have a fundamental belief in the Bible as the Word of God, written by those who were inspired. I study the Bible daily.
I read somewhere that Mitt and I have a 'storybook marriage.' Well, in the storybooks I read, there were never long, long, rainy winter afternoons in a house with five boys screaming at once. And those storybooks never seemed to have chapters called MS or breast cancer.
I think my music's more disturbing than Tupac's - or at least I thought some of the themes of 'The Downward Spiral' were more disturbing on a deeper level - you know, issues about suicide and hating yourself and God and people and everything else.
My wife and I had children when we were children ourselves.
A Pike, in the California dialect, is a native of Missouri, Arkansas, Northern Texas, or Southern Illinois. The first emigrants that came over the plains were from Pike County, Missouri; but as the phrase, 'a Pike County man,' was altogether too long for this short life of ours, it was soon abbreviated into 'a Pike.'
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
It was extraordinary 'cause I was 17 years old when I first danced with Edward Villella. And we were both young. But I had seen him dance, and he was already a star. So he was just so gentle and wonderful and kind, and we had a great rapport together. He was one of the most exciting dancers of our day.
People say the 'Lost Generation' in a romantic sense, but I think it was tragic. They were really lost.
During the twentieth century, men fought on behalf of nationalism. Yet the wars they fought were also engendered by dislocations in world markets and by social revolution stimulated by the coming of the industrial age.
When I was growing up, it was the guys who were hardest at school who got the prettiest girls. It's a status thing.
Through school, I saw plenty of theatre my parents weren't necessarily up on. They would prefer a football game to watching 'The Nutcracker,' and that's fine. I enjoy both.
There are many reasons I feel at home in the U.K., but if I were asked to pinpoint the moment I knew I'd arrived, it might well be when I realised the British shared my love of fritters.
To say how you would react if you were really storming the charts and had people running around after you... who's to say how any of us would deal with that.
I think it's bad for fellas when they lose their mothers. Mine was such a character. Oh it was sad, really sad. And, with her gone, the family home was gone, so what was left of any roots I had were completely dug up.
