I met Adam Sandler through 'Saturday Night Live,' and we became friends.
Born in Kansas City, Missouri, and knowing nothing about Picasso, I had the audacity to knock on his door, became his friend, and took thousands of photographs, of him, his studios, his life and his friends.
My hair has never been my greatest feature, so that was funny enough unto itself that my hair became so focused on.
If the U.S. became the undisputed superpower that it is today, it was primarily because of its technology, whether it is in transportation, agriculture, high-tech industry, medicine, etc.
For a while, I became a model scout and agent, thinking naively I could change the industry from the inside, and even kicked off the famous 'size zero debate' with an article I wrote to the 'Evening Standard' about my concerns from behind the curtain of the business, back in 2005.
Music from my fourth year began to be the first of my youthful occupations. Thus early acquainted with the gracious muse who tuned my soul to pure harmonies, I became fond of her, and, as it often seemed to me, she of me.
Mum worked as a secretary for Orson Welles for what sounded like a very miserable year. Her brother was the actor Jeremy Brett, who became famous for playing Sherlock Holmes. He was an absolutely lovely man. Very exciting and glamorous, he'd always make me feel amazing and full of confidence, like I'd picked the right thing to do in life.
I wanted to be an empowered woman, and I became an empowered woman. And now I want to empower every woman. And I do it through my clothes, I do it through my words, I do it through my money, I do it through everything.
Everything I achieve affects my family as well, and suddenly, my kids' dad became the most famous man in the country for a couple of weeks.
With a lot of help from my high school teachers, I went to college and became a medical tech at a clinic outside Kansas City.
I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
I kept thinking, 'How do you make a modern musical?' Then it became clear that I could do it just like a small indie art-house movie, very naturalistically. I could create a world where it's o.k. to break into song, without an orchestra coming up out of nowhere.
Long ago, I became more interested in the real world than in make-believe.
I only became a celebrity because I had a kid. Before I was pregnant nobody cared. I joke to my agent that having a baby made my career.
These days politics, religion, media seem to get all mixed up. Television became the new religion a long time back and the media has taken over.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
One of the reasons Elton and I entered into our partnership - the first day it became legal in Britain to do so - is that we felt it was an opportunity to protect ourselves with official recognition of our relationship.
In 1952, when I was 15 and living on Governors Island, which was then First Army Headquarters, I encountered the newly-published 'The Catcher in the Rye.' Of course, that book became the iconic anti-establishment novel for my generation.
After I left college I thought, very naively, that either you became someone interesting - an artist - or you went into academia. If you ended up in an office you were dull and lacking. And I ended up in an office.
I joined the staff of EMI in Middlesex in 1951, where I worked for a while on radar and guided weapons and later ran a small design laboratory. During this time, I became particularly interested in computers, which were then in their infancy. It was interesting, pioneering work at that time: drums and tape decks had to be designed from scratch.
When I started, I was an artist; I wanted to be an artist. I became an actor almost by accident. I acted for fifteen years and tried to produce. I looked for stories that were the story beneath the story that you thought you knew, like 'The Candidate'.
There was a time when I was offered two episodes of 'Alias,' that show with Jennifer Garner which J.J. Abrams did back before he became the mega producer and super successful director. I instead decided I wanted to play this family guy on a short-lived UPN 'Second Time Around.' It starred Boris Kodjoe and Nicole Ari Parker.
