If you just give somebody a blank check without any deliverables associated with that, you're not going to get the improvements that you want to get.
I don't really know how many films I've done, and I don't look at this as a race that I necessarily want to win. Nor is it a race that I want to stop running.
To be honest, producing records interests me less at the moment and I really don't want to get involved in album projects that are going to take up a lot of time.
As a leader, I believe it's important to have an open door with your staff. Those who want to learn and to grow in their careers will walk through that door and into your life. I encourage people to come and seek me out at 'Frontline' with good ideas, curiosity, and drive.
I love jazz and pop rock and country. I grew up listening to Michael Jackson, Whitney Houston, Def Leppard, AC/DC, Anne Murray - if I hear something really great... I want to be a part of it.
All you can do is just make the most of what you've got. You try to make the most of where you are to get back to where it is that you want to be.
I want people to go to the movies. I am the man of the spectacle. I'm playing.
I adore the challenge of creating truly modern clothes, where a woman's personality and sense of self are revealed. I want people to see the dress, but focus on the woman.
My children are the reason I laugh, smile and want to get up every morning.
I'm going to go away on vacation, I'm going to try to get away from the phone, away from scripts. I think it's important to sit back and think about what you want.
I don't want to lose myself in football and that's what a coach has to do to be successful.
I wanted to avoid all that literary stuff. I didn't want the self pity of 'The Portrait,' all the moaning and the whingeing. I'm not knocking Joyce: we all owe him a debt. He's the one who made so much possible.
I want to give my compliments to Australia. Ever since your government paid a few million dollars for a Jackson Pollack painting, I figure that it must be a marvellous country.
I want to know what it's like to play in a Super Bowl and win one. My career will be great without it. But, personally, selfishly, I want to know what it feels like.
I want the camerawork to fit the narrative and tell the story from the point of view of the character, but sometimes, to be interacting with the sensations of the story, you almost become like a ghost, you know? Like, someone that is floating, observing, not really judging what's going on.
I have all these things I want to do, but I don't have to do them right away. Because it's not just about winning, it's about succeeding, which to me are two different things.
I want cinema to be a part of my life. It's natural for me.
I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
Sometimes we'll only get one script in a year that we want to make that we feel is good enough.
People don't come to stadiums only to see results. They come to see a reaction, they want to see we are also human, that we can cry or laugh.
If you really want something, it's nerve-racking, but at the same time, I try not to stress myself out about it too much because there are also so many arbitrary things that go into being cast for something - you know, like the color of your eyes, all these things that are kind of out of my control.
The No. 1 thing is you want to be able to win the game, and we're going to do whatever we have to do to win the game.
I don't want to be famous or recognizable. I don't want to be critiqued about the way that I look on the Internet... I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
They think because I'm small, they can do what they want to do to me. But I'm not weak. If I lower my shoulder and they lower they're shoulder, they're going to go down.
I don't give books as gifts. Books are extremely personal, and I would hate to give someone a book that they don't like or want, because it would break my heart if they didn't read it.
Becoming a mother cannot help but change things. An author's life is reflected in their writing, whether they want it to be or not, and parenthood is one of the biggest life changes there is.
More than the time, it's about how you feel - you want to be strong throughout the race.
My grandmother lived with us for a short time while I was a child. Old people tend to be slightly more eccentric - they can behave the way they want.
I'm the kind of person you want to kill. I had an incredibly happy childhood. I married a terrific guy when I was 23. I have great, well-adjusted kids. Sometimes my husband and I look at each other and do a little jig in the kitchen. This is the best life.
There is a whole generation of people who are going to see movies or watch TV who don't want to work.
Unlike some, I don't claim to hold the mystic key to the future. But judging from past events, it seems to me that those who want to prophesy the imminent end of America's unique global role have a harder case to make than those who think we will limp on for a while, making a mess of things as usual.
If my son came to me years from now and told me, 'I'm gay,' I'd say, 'That's wonderful. I'm so glad you know who you are.' But if he said, 'I want to be a woman,' I would say, 'Ahhh. This is gonna be hard. Let's get started.' Because it doesn't matter that that's where happiness lies - it's on the other side of a lot of struggle.
Google is a global Rorschach test. We see in it what we want to see. Google has built an infrastructure that makes a lot of dreams closer to reality.
You have students in America, in Britain, who do not want to be engineers. Perhaps it is the workload, I studied engineering, and I know what a grind it is.
I don't want to lose my accent, I just want it to become smaller.
I want to conquer the world and it seems like my own family is putting a stop to that.